David Sax

City Lights welcomes David Sax, who discusses his new book with David Pescovitz, The Revenge of Analog: Real Things and Why They Matter, published by Public Affairs Books.

By now, we all know the mythology of the digital revolution: it improved efficiency, eliminated waste, and fostered a boom in innovation. But as business reporter David Sax shows in this clear-sighted, entertaining book, not all innovations are written in source code. In fact, businesses that once looked outdated are now springing with new life. Behold the Revenge of Analog.

Sax has found story after story of entrepreneurs, small business owners, and even big corporations who’ve found a market selling not apps but real, tangible things. As e-books are supposedly remaking reading, independent bookstores have sprouted up across the country. As music supposedly migrates to the cloud, vinyl record sales have grown more than ten times over the past decade, generating more than half a billion dollars in 2015 alone. Even the offices of Silicon Valley icons like Google and Facebook increasingly rely on analog technologies like pen and paper for their business.

Sax’s work reveals not just an underreported trend in business, but a more fundamental truth about how humans shop, interact, and even think. Blending psychology and observant wit with old-fashioned reportage, Sax shows that humans need to work, sell, and live in the real world—not on a screen.

David Sax is a journalist specializing in business and culture. His writing appears regularly in Bloomberg Businessweek and The New Yorker’s Currency blog. He is the author of two books, including The Tastemakers:A Celebrity Rice Farmer, a Food Truck Lobbyist, and Other Innovators Putting Food Trends on Your Plate, and Save the Deli: In Search of Perfect Pastrami, Crusty Rye, and the Heart of Jewish Delicatessen, which won a James Beard Award for Writing and Literature. He lives in Toronto.

Molotov Editions Kick-Off Party

City Lights celebrates the launch of Molotov Editions’ first two titles: The White Devil by Domenic Stansberry and The Death of Teddy Ballgame by Robert Mailer Anderson.

This event includes reading, music, theater, movie stars, regular slobs, writers, ducks, barking dogs, circus freaks, beautiful people, materialistic fools, politicians, homeless passerbys, maybe nobody at all, ghosts, old lovers, new lovers, dead parents, parents you wish were dead, friends and lost ones who haunt your imagination and refuse to abandon these empty streets.

About The White Devil:

After a six year hiatus, Edgar award winning novelist Domenic Stansberry has returned to the mystery scene with a chilling new noir: The White Devil, that tells the story of  an aspiring American actress who—together with her brother— is implicated in a series of crimes dating back to their childhood. The novel begins in Rome, among the American ex-patriot community, and from there follows the siblings’ deadly obsession with an aging Italian movie star and her charismatic husband. Stansberry’s protagonist, Vicki Wilson, narrates the story in a voice alternately intimate and distant, a cipher of unwholesome impulse and erotic intrigue.  The result is an elegant tour de force, a psychological noir exploring the murky depths where the differences between the criminal and victim are not entirely clear.

About The Death of Teddy Ballgame:

From Robert Mailer Anderson, the bestseller author of Boonville. The last patrons of Caffe Dante gather for their morning coffee during what may be the final days of civilization. Apocalyptic events disrupt the routine of their lives and they are forced to take responsibility for a darkly comic reckoning which questions their faith in God, love, culture, family, humanity and each other. It’s Beckett meets Mamet meets O’Neil over a double jolt of expresso!

About Molotov Editions:

Molotov Editions are a San Francisco press from the underworld, the howl of individual expression apart from the mainstream, no matter its genre, using whatever means necessary, affordable, convenient or possible. Books are considered to be incendiary devices, messages in flaming bottles that ignite the soul, communicated in private, and their mercantile value has little to do with the echo in the canyon.

For more info visit: http://www.molotoveditions.com

Keramet Reiter

City Lights and Uncommon Law welcome Keramet Reiter in conversation with Keith Wattley of UnCommon Law to discuss 23/7: Pelican Bay Prison and the Rise of Long-Term Solitary Confinement from Yale University Press.
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Originally meant to be brief and exceptional, solitary confinement in U.S. prisons has become long-term and common. Prisoners spend twenty-three hours a day in featureless cells, with no visitors or human contact for years on end, and they are held entirely at administrators’ discretion. Keramet Reiter tells the history of one “supermax,” California’s Pelican Bay State Prison, whose extreme conditions recently sparked a statewide hunger strike by 30,000 prisoners. This book describes how Pelican Bay was created without legislative oversight, in fearful response to 1970s radicals; how easily prisoners slip into solitary; and the mental havoc and social costs of years and decades in isolation. The product of fifteen years of research in and about prisons, this book provides essential background to a subject now drawing national attention.

Keramet Reiter, an assistant professor in the Department of Criminology, Law and Society and at the School of Law at the University of California, Irvine, has been an advocate at Human Rights Watch and testified about the impacts of solitary confinement before state and federal legislators. She lives in Los Angeles, CA.

Keith Wattley is the founder and executive director of UnCommon Law. He has been advocating for the rights of prisoners and parolees for nearly twenty years. Prior to launching UnCommon Law in 2006, Keith was a staff attorney at the Prison Law Office, a nonprofit law firm in Berkeley. He has represented thousands of prisoners in impact litigation and individual matters involving mental health care, gang validation, religious freedom, prison infirmaries, medical care, excessive force, visitation, parole consideration and parole revocation. He has also trained hundreds of lawyers, law students and others in prisoner and parole advocacy. Keith is also co-chair of the Institutional Review Board (human subjects committee) for the National Council on Crime and Delinquency. He was also a member of the Founding Board of Directors for the Prison University Project (San Quentin’s College Program) and a member of the Board of Directors for Legal Services for Prisoners with Children.

UnCommon Law is a California non-profit law office whose mission is to help long-term prisoners understand and resolve the factors that contributed to their crimes so that they can safely be released. We work with prisoners for months or years in advance of their parole board hearings, and we represent them in those hearings and in court petitions challenging the parole board and the Governor.

Okey Ndibe

City Lights presents Okey Ndibe, celebrating the release of Never Look an American in the Eye: A Memoir of Flying Turtles, Colonial Ghosts, and the Making of a Nigerian American from Soho Press.

Okey Ndibe’s funny, charming, and penetrating memoir tells of his move from Nigeria to America, where he came to edit the influential—but forever teetering on the verge of insolvency—African Commentary magazine. It recounts stories of Ndibe’s relationships with Chinua Achebe, Wole Soyinka, and other literary figures; examines the differences between Nigerian and American etiquette and politics; recalls an incident of racial profiling just 13 days after he arrived in the US, in which he was mistaken for a bank robber; considers American stereotypes about Africa (and vice-versa); and juxtaposes African folk tales with Wall Street trickery. All these stories and more come together in a generous, encompassing book about the making of a writer and a new American.

Okey Ndibe first arrived in the US to take up appointment as the founding editor of African Commentary, a magazine published by the Nigerian novelist Chinua Achebe. He has been a visiting professor at Brown University, Connecticut College, Simon’s Rock College, Trinity College, and the University of Lagos (as a Fulbright scholar). The author of Foreign Gods, Inc., Ndibe served on the editorial board of Hartford Courant where his essays won national and state awards. He earned MFA and PhD degrees from the University of Massachusetts at Amherst. He lives in West Hartford, CT, with his wife, Sheri, and their three children.

Masande Ntshanga

http://www.citylights.com/Resources/titles/87286100032930/Images/87286100032930L.jpgCity Lights presents Masande Ntshanga reading from his acclaimed new novel The Reactive from Two Dollar Radio.

Heralded in the author’s native South Africa as “the hottest novel of the year,” The Reactive is a clear-eyed and compassionate depiction of a young HIV+ man grappling with the sudden death of his younger brother, for which he feels unduly responsible.

Lindanathi and his friends—Cecelia and Ruan—make their living working low-paying jobs and selling anti-retroviral drugs (during the period in South Africa before ARVs became broadly distributed). In between, they huff glue, drift in and out of parties, and traverse the streets of Cape Town, where they observe the grave material disparities of their country. A mysterious masked man appears seeking to buy their surplus of ARVs, an offer that would present the three with the opportunity to escape their environs, while at the same time forcing Lindanathi to confront his path, and finally, his past.

With brilliant, shimmering prose, Ntshanga has delivered a redemptive, ambitious, and unforgettable first novel.

Masanhttp://www.citylights.com/html/WYSIWYGfiles/images/Masande-Ntshanga-author_large.jpgde Ntshanga is the winner of the inaugural PEN International New Voices Award in 2013, and a finalist for the Caine Prize in 2015. He was born in East London in 1986 and graduated with a degree in Film and Media and an Honours degree in English Studies from UCT, where he became a creative writing fellow, completing his Masters in Creative Writing under the Mellon Mays Foundation. He received a Fulbright Award, an NRF Freestanding Masters scholarship, a Civitella Ranieri Fellowship and a Bundanon Trust Award. His work has appeared in The White Review, Chimurenga, VICE and n + 1. He has also written for Rolling Stone magazine.

Rabih Alameddine

The Angel of HistoryCity Lights welcomes Rabih Alameddine in celebrating the release of The Angel of History from Atlantic Monthly Press.

The incendiary new novel by National Book Award finalist Rabih Alameddine, about an Arab American poet, whose adult life in San Francisco spans the AIDS decades, and his hilarious and heartbreaking struggle to remember and forget the events of an astonishing life. Following the criti

cal and commercial success of An Unnecessary Woman, Alameddine delivers a spectacular portrait of a man and an era of political and social upheaval.

Set over the course of one night in the waiting room of a psych clinic, The Angel of http://www.citylights.com/html/WYSIWYGfiles/images/RabihA.jpgHistory follows Yemeni-born poet Jacob as he revisits the events of his life, from his maternal upbringing in an Egyptian whorehouse to his adolescence under the aegis of his wealthy father and his life as a gay Arab man in San Francisco at the height of AIDS. Hovered over by the presence of alluring, sassy Satan, who taunts Jacob to remember his painful past, and dour, frigid Death, who urges him to forget anxd give up on life, Jacob is also attended to by fourteen saints. With Jacob recalling his life in Cairo, Beirut, Sana’a, Stockholm, and San Francisco, Alameddine gives us a charged philosophical portrayal of a brilliant mind in crisis. This is a profound and winning story of the war between memory and oblivion with which we wrestle every day of our life.

Rabih Alameddine is the author of the novels An Unnecessary Woman; I, the Divine; Koolaids; The Hakawati; and the story collection, The Perv.

Douglas Kearney

City Lights celebrates the release of Douglas Kearney’s collection of works, Buck Studies, from Fence Books. Douglas reads from the book in the Poetry Room.

Poet, performer, librettist, and educator, Douglas Kearney returns to City Lights presenting a performance of his poetry. Kearney’s works speak to those who are listening to what our living, material language has to say about race and history. At the hub of Buck Studies is a long mash-up of the stories of Herakles, the Greek bad-man, and that of Stagger Lee, the black bad-man. “Stagger Put Work In” examines the Twelve Labors Herakles performed to atone for murdering his family through Stagger Lee’s murder of black man Billy Lyons. What is enacted by this appropriation is an exhaustion of forms—gangsta rap and its antecedent, the murder ballad.

http://www.citylights.com/html/WYSIWYGfiles/images/DougKearney.jpgDouglas Kearney’s collection of writing on poetics and performativity, Mess and Mess and (Noemi Press, 2015), was a Small Press Distribution Handpicked Selection that Publisher’s Weekly called “an extraordinary book.” His third poetry collection, Patter (Red Hen Press, 2014) examines miscarriage, infertility, and parenthood and was a finalist for the California Book Award in Poetry. Cultural critic Greg Tate remarked that Kearney’s second book, National Poetry Series selection, The Black Automaton (Fence Books, 2009), “flows from a consideration of urban speech, negro spontaneity and book learning.” Someone Took They Tongues. (Subito Press 2016) collects several of his libretti, including one written in a counterfeit Afro-diasporic language. He was the guest editor for 2015’s Best American Experimental Writing (Wesleyan). He has received a Whiting Writer’s Award, residencies/fellowships from Cave Canem, The Rauschenberg Foundation, and others. His work has appeared in a number of journals, including Poetry, nocturnes, Pleiades, Iowa Review, Boston Review, and Indiana Review; and anthologies, including Best American Poetry, Best American Experimental Writing, Wide Awake: Poets of Los Angeles and Beyond, The Breakbeat Poets, and What I Say: Innovative Poetry by Black Poets in America. Raised in Altadena, CA, he lives with his family in California’s Santa Clarita Valley. He teaches at CalArts. Visit: http://douglaskearney.com/

Hot Books Inaugural Party

City Lights celebrates an exciting new publishing venture!

Hosted by David Talbot with Rebecca Gordon, Nicholas Schou, and Alexander Zaitchik.http://www.citylights.com/html/WYSIWYGfiles/images/HotBooks.jpg

Our body politic has grown sluggish and dull-witted, stuffed with a steady diet of junk media and corporate propaganda. It’s time to light a fire under this slumbering giant, American democracy. It’s time to think dangerous thoughts. Enter Hot Books. The Hot Books series will seek to live up to its name – offering tightly-written books (no longer than 40,000 words) that passionately address the most burning issues of our day. Some Hot Books will take the form of argument and storytelling. Others will be works of investigative journalism, trying to fill the void left by too many newspapers and magazines in the digital age, when in-depth reporting and editorial budgets have been severely cut back. Whether they are searing collections of essays or works of crusading journalism, Hot Books will draw inspiration from that great prophetic tradition of speaking truth to power and enlightening the public. Hot Books authors will dare to speak the unspeakable.

Three new books are celebrated:

American Nuremberg: The US Officials Who Should Be Prosecuted for Post 9/11 War Crimes – by Rebecca Gordon

Spooked: How the CIA Manipulates the Media and Hoodwinks Hollywood – by Nicholas Schou

The Gilded Rage: A Wild Ride Through Donald Trump’s America – by Alexander Zaitchik

David Talbot dreamed up Hot Books in partnership with Tony Lyons, publisher of the independent book company Skyhorse. Talbot is the founder and former editor-in-chief of Salon. He is the author of the New York Times bestseller, Brothers: The Hidden History of the Kennedy Years, the national bestseller, Season of the Witch, and, most recently, The Devil’s Chessboard: Allen Dulles, the CIA and the Rise of America’s Secret Government. Talbot was a senior editor at Mother Jones magazine, and his writing has appeared in Rolling Stone, The New Yorker, Time, The Guardian and other publications. He lives in San Francisco.

Rikki Ducornet

City Lights welcomes Rikki Ducornet, reading from her new novel Brightfellow published by Coffee House Press.

A feral boy comes of age on a campus decadent with starched sheets, sweating cocktails, ahttp://www.citylights.com/Resources/titles/87286100362450/Images/87286100362450L.jpgnd homemade jams. Stub is the cause of that missing sweater, the pie that disappeared off the cooling rack. Then Stub meets Billy, who takes him in, and Asthma, who enchants him, and all is found, then lost. A fragrant, voluptuous novel of imposture, misplaced affection, and emotional deformity.http://www.citylights.com/html/WYSIWYGfiles/images/rikki.jpeg

An artist and writer, Rikki Ducornet has illustrated books by Robert Coover, Jorge Luis Borges, Forrest Gander, and Joanna Howard. Her paintings have been exhibited widely, including, most recently, at the Pierre Menard Gallery in Cambridge, Massachusetts, and the Salvador Allende Museum in Santiago, Chile.

Donna J. Haraway

City Lights Bookstore welcomes Donna J. Haraway in discussing the subject of her new book, Staying with the Trouble: Making Kin in the Chthulucene from Duke University Press.

In the midst ofhttp://www.citylights.com/Resources/titles/87286100312000/Images/87286100312000L.jpg spiraling ecological devastation, multispecies feminist theorist Donna J. Haraway offers provocative new ways to reconfigure our relations to the earth and all its inhabitants. She eschews referring to our current epoch as the Anthropocene, preferring to conceptualize it as what she calls the Chthulucene, as it more aptly and fully describes our epoch as one in which the human and nonhuman are inextricably linked in tentacular practices. The Chthulucene, Haraway explains, requires sym-poiesis, or making-with, rather than auto-poiesis, or self-making. Learning to stay with the trouble of living and dying together on a damaged earth will prove more conducive to the kind of thinking that would provide the means to building more livable futures. Theoretically and methodologically driven by the signifier SF—string figures, science fact, science fiction, speculative feminism, speculative fabulation, so far—Staying with the Trouble further cements Haraway’s reputation as one of the most daring and original thinkers of our time.

http://www.citylights.com/html/WYSIWYGfiles/images/Donna-and-Cayenne-crop.jpgDonna J. Haraway is Distinguished Professor Emerita in the History of Consciousness Department at the University of California, Santa Cruz, and the author of several books, most recently, Manifestly Haraway. Professor Haraway is a prominent scholar in the field of science and technology studies. She has recieved numerous awards including from the Society for Social Studies of Science and a J.D. Bernal Award. Dr. Haraway’s works have contributed to the study of human-machine and human-animal relations. Her work has sparked debates in primatology, philosophy, and developmental biology.

Carey Perloff and Joshua Mohr

http://www.citylights.com/Resources/titles/87286100775260/Images/87286100775260L.jpgCo-presented by Litquake, and with a introduction from City Light’s publisher and executive director Elaine Katzenberger, City Lights welcomes Carey Perloff, the Artistic Director of A.C.T. to discuss Beautiful Chaos: A Life in the Theater (published by the City Lights Foundation). Beautiful Chaos was chosen by the San Francisco Public Library as their One City One Book selection for Fall 2016! Carey is interviewed by novelist Joshua Mohr, whose most recent book is All This Life.
Perloff pens a lively and revealing memoir of her twenty-plus years at the helm, and delivers a provocative and impassioned manifesto for the role of live theater in today’shttp://www.citylights.com/resources/persons/17050.gif technology-infused world.

Perloff’s personal and professional journey—her life as a woman in a male-dominated profession, as a wife and mother, a playwright, director, producer, arts advocate, and citizen in a city erupting with enormous change—is a compelling, entertaining story for anyone interested in how theater gets made. She offers a behind-the-scenes perspective, including her intimate working experiences with well-known actors, directors, and writers including Tom Stoppard, Harold Pinter, Robert Wilson, David Strathairn, and Olympia Dukakis.

Whether reminiscing about her turbulent first years as a young woman taking over an insolvent theater in crisis and transforming it into a thriving, world-class performance space, or ruminating on the potential for its future, Perloff takes on critical questions about arts education, cultural literacy, gender disparity, leadership and power.

Tripwire: A Journal of Poetics

City Lights welcomes a live reading with writers from Tripwire, a journal of poetics with special guest CAConrad, joined by Kevin Killian, Juliana Spahr, Marianne Morris, & Lara Durback, along with painter Yuh-Shioh Wong, hosted by David Buuck.

Tripwire, a journal of poetics, is devoted to a counter-institutional exploration of radical and experimental modes of contemporary poetics, art, and cultural politics. The journal was founded in 1998 by Yedda Morrison and current editor Dahttp://www.citylights.com/html/WYSIWYGfiles/images/CAConrad.jpegvid Buuck. Six issues were published between 1998-2002, with a special supplement published in September 2004 for the RNC protests in New York.

CAConrad is the author of seven books including ECODEVIANCE: (Soma)tics for the Future Wilderness (Wave, 2014), A Beautiful Marsupial Afternoon (Wave, 2012), The Book of Frank (Chax Press, 2009/Wave, 2010). A 2014 Lannan Fellow, a 2013 MacDowell Fellow,  a 2011 Pew Fellow, and a Headlands Art Fellow, he also conducts workshops on (Soma)tic poetry and Ecopoetics. Visit him online at: http://caconradbooks.blogspot.com/.

http://www.citylights.com/html/WYSIWYGfiles/images/Buuk.jpegDavid Buuck lives in Oakland, CA. He is the founder of BARGE, the Bay Area Research Group in Enviro-aesthetics, and co-founder and editor of Tripwire, a journal of poetics. He has collaborated and performed with dancer/choreographer Abby Crain since 2010. An Army of Lovers, co-written with Juliana Spahr, was published in 2013 City Lights, and SITE CITE CITY was published by Futurepoem in fall 2014. Visit his PennSound page for audio, and go to the Buuck/BARGE blog for recent work and upcoming events.

Ngũgĩ wa Thiong’o

City Lights welcomes Ngũgĩ wa Thiong’o, reading from and discussing his new book Birth of a Dream Weaver: A Writer’s Awakening from The New Press.

Birth of a Dream Weaver charts the very beginnings of a writer’s creative output. In this wonderful memoir, Kenyan writer Ngũgĩ wa Thiong’o recounts the four years he spent at Makerere University in Kampala, Uganda—threshold years during which he found his voice as a journalist, short story writer, playwright, and novelist just as colonial empires were crumbling and new nations were being born—under the shadow of the rivalries, intrigues, and assassinations of the Cold War.Birth of a Dream Weaver

Haunted by the memories of the carnage and mass incarceration carried out by the British colonial-settler state in his native Kenya but inspired by the titanic struggle against it, Ngũgĩ, then known as James Ngugi, begins to weave stories from the fibers of memory, history, and a shockingly vibrant and turbulent present.

What unfolds in this moving and thought-provoking memoir is simulhttp://www.citylights.com/html/WYSIWYGfiles/images/thiongo_ngugi_wa_daniel_anderson.jpgtaneously the birth of one of the most important living writers—lauded for his “epic imagination” (Los Angeles Times)—the death of one of the most violent episodes in global history, and the emergence of new histories and nations with uncertain futures.

One of the leading African writers and scholars at work today, Ngũgĩ wa Thiong’o was born in Limuru, Kenya, in 1938. He is the author of A Grain of Wheat; Weep Not, Child; Petals of Blood; and Birth of a Dream Weaver (The New Press). He is currently distinguished professor in the School of Humanities and the director of the International Center for Writing and Translation at the University of California, Irvine. He has been nominated for the Man Booker International Prize.

David Price

Author David Price discusses the subject of his new book, Cold War Anthropology: The CIA, the Pentagon, and the Growth of Dual Use Anthropology from Duke University Press, at City Lights Bookstore

In Cold War Anthropology, David H. Price offers a provocative account of the profound influence that the American security state has had ohttp://www.citylights.com/Resources/titles/87286100627450/Images/87286100627450L.jpgn the field of anthropology since the Second World War. Using a wealth of information unearthed in CIA, FBI, and military records, he maps out the intricate connections between academia and the intelligence community and the strategic use of anthropological research to further the goals of the American military complex. The rise of area studies programs, funded both openly and covertly by government agencies, encouraged anthropologists to produce work that had intellectual value within the field while also shaping global counterinsurgency and development programs that furthered America’s Cold War objectives. Ultimately, the moral issues raised by these activities prompted the American Anthropological Association to establish its first ethics code. Price concludes by comparing Cold War-era anthropology to the anthropological expertise deployed by the military in http://www.citylights.com/html/WYSIWYGfiles/images/david-price.jpegthe post-9/11 era.

David H. Price is Professor of Anthropology at Saint Martin’s University. He is the author of Threatening Anthropology: McCarthyism and the FBI’s Surveillance of Activist Anthropologists and Anthropological Intelligence: The Use and Neglect of American Anthropology in the Second World War, both published by Duke University Press, and Weaponizing Anthropology: Social Science in Service of the Militarized State.

Micah Ballard and Garrett Caples

Micah Ballard and Garrett Caples both read from their new poetry collections. Michael Ballard reads from Afterlives (from Bootstrap Press) and Garrett Caples reads from Power Ballads (from Wave Books).

Micah Ballard is the author of over a dozen books of poetry, including Vesper Chimes (Gas Meter, 2014), Waifs and Strays (City Lights Books, 2011), Parish Krewes (Bootstrap Press, 2009), Evangeline Downs (Ugly Duckling Presse, 2006), and Negative Capability in the Verse of John Wiehttp://www.citylights.com/html/WYSIWYGfiles/images/Ballard.jpgners (Auguste Press, 2001), as well as the collaborations Death Race V.S.O.P (with Cedar Sigo & Will Yackulic), Easy Eden (with Patrick James Dunagan), and Poems from the New Winter Palace (with Michael Carr). His third full-length collection, Afterlives, was just released by Bootstrap Press. He works at the University of San Francisco and with Sunnylyn Thibodeaux is the co-editor of Auguste Press and Lew Gallery Editions.

http://www.citylights.com/html/WYSIWYGfiles/images/caples_1024x1024.jpgGarrett Caples is the author of three full-length poetry collections, Power Ballads (Wave, 2016), Complications (Meritage, 2007), and The Garrett Caples Reader (Black Square, 1999).  He has also written a book of essays, Retrievals (Wave, 2014), and a pamphlet, Quintessence of the Minor: Symbolist Poetry in English (Wave, 2010). He’s also co-edited Incidents of Travel in Poetry: New and Selected Poems by Frank Lima (City Lights, 2016), Particulars of Place by Richard O. Moore (Omnidawn, 215), and The Collected Poems of Philip Lamantia (California, 2013).  He’s also an editor at City Lights, where he curates the Spotlight poetry series.

Jeff Chang and Rebecca Solnit

City Lights welcomed Jeff Chang to celebrate the release of his collection of essays, We Gon’ Be Alright, published by Picador. He is in conversation with Rebecca Solnit about the book.

In these provocative, powerful essays acclaimed writer/journalist Jeff Chttp://www.citylights.com/Resources/titles/87286100811750/Images/87286100811750L.jpghang (Can’t Stop Won’t Stop, Who We Be) takes an incisive and wide-ranging look at the recent tragedies and widespread protests that have shaken the country. Through deep reporting with key activists and thinkers, passionately personal writing, and distinguished cultural criticism, We Gon‘ Be Alrigh links #BlackLivesMatter to #OscarsSoWhite, Ferguson to Washington D.C., the Great Migration to resurgent nativism. Chang explores the rise and fall of the idea of “diversity,” the roots of student protest, changing ideas about Asian Americanness, and the impact of a century of racial separation in housing. He argues that resegregation is the unexamined condition of our time, the undoing of which is key to moving the nation forward to racial justice and cultural equity.

JEFF CHANG is the author of Can’t Stop Won’t Stop: A History of the Hip-Hop Generation and Who We Be: A Cultural Histhttp://www.citylights.com/html/WYSIWYGfiles/images/Jeff%20Chang.jpgory of Race in Post–Civil Rights America. He has been a USA Ford Fellow in Literature and the winner of the American Book Award and the Asian American Literary Award. He is the executive director of the Institute for Diversity in the Arts at Stanford University. Visit: http://cantstopwontstop.com/

Justin Chin Tribute

City Lighhttp://www.citylights.com/Resources/titles/87286100047050/Images/87286100047050L.jpgts Booksellers celebrates the release of Justin Chin: Selected Works hosted by Jennifer Joseph with readings and remembrances by Kevin Killian, Rabih Alameddine, Henry Machtay, Larry-Bob Roberts, Thea Hillman, Maw Shein Win, Alvin Orloff , and Daphne Gottlieb.

Justin Chin’s fearless and fierce voice was resolute in relating his worldview, whether directly or through metaphorical language. As a queer Asian American, born and raised in Southeast Asia within a devoutly Christian, ethnically Chinese family of medical professionals, Chin’s early life experience informed his writing and framed his point of view. In his literary works, the seemingly conflicted duality of existence is paramount: sacred and profane, saints and sinners, health and illness, hope and despair, life and death. His works also explore his experience of living with HIV, which progressed into AIDS in his final years.

This unique collection of Chin’s literary legacy will serve as both a primer for those new to his works, as well as a loving tribute by those writers who knew him and his work best. Notable literary figures pay tribute to the poet/writer with personal commentaries on works selected from his seven books.

Among many others, contributing writers include R. Zamora Linmark (Rolling the R’s), Michelle Tea (How To Grow Up), Timothy Liu (Don’t Go Back To Sleep), and Lois-Ann Yamanaka (Night at the Pahala Theatre).http://www.citylights.com/html/WYSIWYGfiles/images/JustinChin.jpg

Justin Chin (1969-2015) was the award-winning author of four poetry books, two essay collections, one book each of short fiction, and text-based performance art works. His writing appeared in literary magazines, including Beloit Poetry Journal, and anthologies, including American Poetry: The Next Generation (Carnegie Mellon). He taught at UC Santa Cruz and at San Francisco State University. He was a recipient of fellowships and grants from the California Arts Council, Djerassi Foundation, Franklin Furnace Fund, PEN American Center, and PEN Center USA West, among others.

 

An Appreciation of Ralph J. Gleason

City Lights welcomed Toby Gleason to celebrate the release of two books: Music in the Air: The Selected Writings of Ralph J. Gleason and Conversations in Jazz: The Ralph J. Gleason Interviews, both edited by Gleason and both published by Yale University Press. He was joined by Al Young.

Music in the Air: The Selected Writings of Ralph J. Gleason collects in one volume the best cultural criticism and music writings from Gleason. With a foreword by Jann Wenner and introduction by Paul Scanlon, the book collects the best of his essays, interviews, liner notes, correspondence, and books in sections covering Jazz and Blues; Folk, Rock, and Pop; Comedy; and Politics and Culture.

The co-founder of Rolling Stone magazine, Ralph J. Gleason was among the most respected journalists, interviewers, and critics writing about popular music in the latter half of the twentieth century. As a longtime contributor to the San Francisco Chronicle, Down Beat, and Ramparts, his expertise and insights about music, musicians, and cultural trends were unparalleled, whether his subject was jazz, folk, pop, or rock and roll. He was the only music journalist included on President Richard Nixon’s infamous “Enemies List,” which Gleason himself considered “the highest honor a man’s country can bestow upon him.”

This sterling anthology, edited by Gleason’s son Toby, himself a forty-year veteran of the music business, spans Ralph J. Gleason’s four decades as popular music’s preeminent commentator. Drawing from a rich variety of sources, including Gleason’s books, essays, interviews, and LP record album liner notes, it is essential reading for writers, historians, scholars, and music lovers of every stripe.

Two-time Grammy Award winner Ralph J. Gleason (1917–1975) was the author of numerous articles and three highly regarded books on music as well as an acclaimed TV and documentary film producer. Toby Gleason is a veteran jazz radio producer, programmer, and host, and a former assistant editor at Rolling Stone.

Conversations in Jazz: The Ralph J. Gleason Interviews brings together for the first time rare and never-before-seen interviews between Ralph Gleason and fourteen of the greatest jazz musicians. These informal sessions, conducted mostly in Gleason’s Berkeley home, have never been transcribed and published in full until now. With a foreword and introductory noted by Ted Gioia, this collection gathers in one place remarkably candid conversations with many of the jazz greats of the twentieth century, from Coltrane to Parker to Mingus and Gillespie.

During his nearly forty years as a music journalist, Ralph J. Gleason recorded many in-depth interviews with some of the greatest jazz musicians of all time. These informal sessions, conducted mostly in Gleason’s Berkeley, California, home, have never been transcribed and published in full until now.

This remarkable volume, a must-read for any jazz fan, serious musician, or musicologist, reveals fascinating, little-known details about these gifted artists, their lives, their personas, and, of course, their music. Bill Evans discusses his battle with severe depression, while John Coltrane talks about McCoy Tyner’s integral role in shaping the sound of the Coltrane quartet, praising the pianist enthusiastically. Included also are interviews with Dizzy Gillespie, Sonny Rollins, Quincy Jones, Jon Hendricks, and the immortal Duke Ellington, plus seven more of the most notable names in twentieth-century jazz.

Toby Gleason is the son of Ralph J. Gleason.

Al Young is a poet, novelist, essayist, screenwriter, educator, and former Poet Laureate of California. Muriel Johnson, Director of the California Arts Council declared: “Like jazz, Al Young is an original American voice.” Mr. Young’s has produced numerous novels, collections of poetry, essays, and memoirs. His work has appeared in literary journals and magazines including Paris Review, Ploughshares, Essence, The New York Times, Chicago Review, Seattle Review, Brilliant Corners: A Journal of Jazz & Literature, Chelsea, Rolling Stone, Gathering of the Tribes, and in anthologies including the Norton Anthology of African American Literature, and the Oxford Anthology of African American Literature.

 

Brynn Saito, Maxine Hong Kingston, and Percival Everett

Percival Everett, Maxine Hong Kingston, and Brynn Saito celebrating the release of Saito’s new collection of poetry, Power Made Us Swoon (published by Red Hen Press), at City Lights.

A lyrical journey through family legacies, silenced histories, and the possibilities of transformation, guided by the ruthless, witty, and vulnerable voice of a mythic woman warrior.

Guided by the character of the Woman Warrior–witty, swift, and ruthless in her wonder–readers of Brynn Saito’s second collection of poetry travel the terrain of personal and historical memory: narrative poems about family, farming towns, and the bravery of girlhood are interspersed with lyric poetry written from the voice of a stone found in a Japanese American internment camp during the wartime incarceration. What histories can be summoned with poetry? What are the forces shaping an American life in the 21st century? Car accidents, patriarchy, and television fall under this poet?s gaze, along with the intergenerational reverberations of historical trauma. As with The Palace of Contemplating Departure, Saito’s first award-winning collection, Power Made Us Swoon strives for wonder and speaks–in edgy and vulnerable tones–of the fraught journey toward a more just world. “Learn to lie to survive,” sings the woman warrior, “Learn to outlast the flame / learn the art of surprise.”

Brynn Saito is the author of the poetry collection The Palace of Contemplating Desire, winner of the Benjamin Saltman Award and forthcoming from Red Hen Press in March, 2013. Her poetry has been anthologized by Helen Vendler and Ishmael Reed; it has also appeared in Ninth Letter, Hayden’s Ferry Review, Pleiades, and Drunken Boat. Brynn was born in the Central Valley of California to a Korean-American mother and a Japanese-American father. She received an MFA in creative writing from Sarah Lawrence College and an MA in religious studies from NYU. Currently, Brynn lives in the Bay Area and teaches in San Francisco.

Percival Everett is the author of fourteen novels and three collections of short fiction including re:f(gesture), published by Red Hen Press. He is the recipient of the Academy Award from the American Academy of Arts and Letters, the Hurston/Wright Legacy Award, the PEN/Oakland-Josephine Miles Award for Excellence in Literature (for his 1996 story collection Big Picture) and a New American Writing Award (for his 1990 novel Zulus). He has served as a judge for, among others, the 1997 National Book Award for fiction and the PEN/ Faulkner Award for Fiction in 1991. He currently teaches fiction writing, American studies, and critical theory  at the University of Southern California. He has worked as a musician, a ranch hand, and a high school teacher.

Maxine Hong Kingston is the aclaimed author of three novels and several works of non-fiction about the experiences of Chinese immigrants living in the United States. She is the winner of the National Medal of the Arts and was awarded the Northern California Book Award Special Award in Publishing for her anthology Veterans of War, Veterans of Peace.

Julien Poirier

Julien Poirier came to City Lights to celebrate the release of his latest poetry collection, Out of Print, No. 14 in City Lights Books’ Spotlight Poetry Series. He was joined by Elaine Kahn, author of Women in Public (No. 13 in the same series).

The third full-length collection by Julien Poirier, Out of Print is a truly bicoastal volume, reflecting the poet’s years in New York as well as his return to his Bay Area roots. Consider it a meetinghouse between late New York School and contemporary California surrealism, a series of quips intercepted from America’s underground poetry telegraph, or an absurdist mirror held up to consumerist culture.

 

 

 

 

 

 

Julien Poirier is the author of several poetry collections, including El Golpe Chileño (Ugly Duckling, 2010), Stained Glass Windows of California (Ugly Duckling, 2012), and Way Too West (Bootstrap, 2015) and Out of Print (City Lights). In 2005, he published an experimental newspaper novel, Living! Go and Dream (Ugly Duckling). He is also the editor of an anthology of writing by Jack Micheline, One of a Kind (Ugly Duckling, 2008), and a book of travel journals by Bill Berkson, Invisible Oligarchs (Ugly Duckling, 2015). A founding member of Ugly Duckling Presse Collective, Poirier edited the newspaper New York Nights from 2001 to 2006. He has taught poetry in New York City public schools and at San Quentin State Prison. He lives in Berkeley with his wife and two daughters.

Interview with Julien Poirier

Poet Julien Poirier sits down with City Lights poetry editor Garrett Caples to discuss his beginnings as a poet, as well as read several selections from his latest poetry collection, Out of Print (published in City Lights Books’ Spotlight Poetry Series).

Viet Thanh Nguyen & Maxine Hong Kingston

City Lights welcomed Viet Thanh Nguyen and Maxine Hong Kingston to discuss Nguyen’s new book, Nothing Ever Dies: Vietnam and the Memory of War, published by Harvard University Press.

All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the bestselling novel The Sympathizer comes a searching exploration of the conflict Americans call the Vietnam War and Vietnamese call the American War—a conflict that lives on in the collective memory of both nations.

From a kaleidoscope of cultural forms—novels, memoirs, cemeteries, monuments, films, photography, museum exhibits, video games, souvenirs, and more—Nothing Ever Dies brings a comprehensive vision of the war into sharp focus. At stake are ethical questions about how the war should be remembered by participants that include not only Americans and Vietnamese but also Laotians, Cambodians, South Koreans, and Southeast Asian Americans. Too often, memorials valorize the experience of one’s own people above all else, honoring their sacrifices while demonizing the “enemy”—or, most often, ignoring combatants and civilians on the other side altogether. Visiting sites across the United States, Southeast Asia, and Korea, Viet Thanh Nguyen provides penetrating interpretations of the way memories of the war help to enable future wars or struggle to prevent them.

Drawing from this war, Nguyen offers a lesson for all wars by calling on us to recognize not only our shared humanity but our ever-present inhumanity. This is the only path to reconciliation with our foes, and with ourselves. Without reconciliation, war’s truth will be impossible to remember, and war’s trauma impossible to forget.

Viet Thanh Nguyen is an associate professor of English and American Studies and Ethnicity at the University of Southern California, as well as a member of the steering committee for the Center for Transpacific Studies. He has won numerous teaching and service awards. He is the author of Race and Resistance: Literature and Politics in Asian America (Oxford University Press, 2002.) His articles have appeared in numerous journals and books, including PMLA, American Literary History, Western American Literature, positions: east asia cultures critique, The New Centennial Review, Postmodern Culture, the Japanese Journal of American Studies, and Asian American Studies After Critical Mass. His short fiction has been published in Manoa, Best New American Voices 2007, A Stranger Among Us: Stories of Cross-Cultural Collision and Connection, Narrative Magazine, TriQuarterly, the Chicago Tribune, and Gulf Coast, where his story won the 2007 Fiction Prize. Visit: http://vietnguyen.info/

Maxine Hong Kingston is a Chinese American author and Professor Emerita at the University of California, Berkeley, where she graduated with a BA in English in 1962. Kingston has written three novels and several works of non-fiction about the experiences of Chinese immigrants living in the United States.

 

 

Ali Eteraz

Ali Eteraz reads from his novel, Native Believer (published by Akashic Books), at City Lights. He is joined by Vanessa Hua.

Ali Eteraz’s much-anticipated debut  is the story of M., a supportive husband, adventureless dandy, lapsed believer, and second-generation immigrant who wants nothing more than to host parties and bring children into the world as full-fledged Americans. As M.’s world gradually fragments around him—a wife with a chronic illness; a best-friend stricken with grief; a boss jeopardizing a respectable career—M. spins out into the pulsating underbelly of Philadelphia, where he encounters others grappling with fallout from the War on Terror. Among the pornographers and converts to Islam, punks, and wrestlers, M. confronts his existential degradation and the life of a second-class citizen. 

Darkly comic, provocative, and insightful, Native Believer is a startling vision of the contemporary American experience and the human capacity to shape identity and belonging at all costs.

Ali Eteraz is based at the San Francisco Writer’s Grotto. He is the author of the coming-of-age memoir Children of Dust (HarperCollins) and the surrealist short story collection Falsipedies & Fibsiennes (Guernica Ed.). Eteraz’s short fiction has appeared in the Chicago Quarterly Review, storySouth, and Crossborder, and his nonfiction has been highlighted by NPR, The New York Times, and the Guardian. Recently, Eteraz received the 3 Quarks Daily Arts & Literature Prize judged by Mohsin Hamid, and served as a consultant to the artist Jenny Holzer on a permanent art installation in Qatar. Eteraz has lived in the Dominican Republic, Pakistan, the Persian Gulf, and Alabama. Native Believer is his debut novel.

Vanessa Hua is an award-winning writer and journalist. For nearly two decades, she has been writing about Asia and the diaspora. She received a 2015 Rona Jaffe Foundation Writers’ Award, the San Francisco Foundation’s James D. Phelan Award for Fiction, and is a past Steinbeck Fellow in Creative Writing at San Jose State University. Her work has appeared in the New York Times, The Atlantic, FRONTLINE/World, Washington Post, Guernica, ZYZZYVA, and elsewhere. A former staff writer at the San Francisco Chronicle, she has filed stories from China, South Korea, Panama, Burma and Ecuador. Deceit and Other Possibilities, her debut story collection, will be published this fall (Willow Books).

Jonathon Keats on Buckminster Fuller

Jonathon Keats celebrates the release of You Belong to the Universe: Buckminster Fuller and the Future (Oxford University Press) at City Lights.

A self-professed “comprehensive anticipatory design scientist,” the inventor Buckminster Fuller (1895-1983) was undoubtedly a visionary. Fuller’s creations often bordered on the realm of science fiction, ranging from the freestanding geodesic dome to the three-wheel Dymaxion car to a bathroom requiring neither plumbing nor sewage. Yet in spite of his brilliant mind and life-long devotion to serving mankind, Fuller’s expansive ideas were often dismissed, and have faded from public memory since his death.

You Belong to the Universe documents Fuller’s six-decade quest to “make the world work for one hundred percent of humanity.” Critic and experimental philosopher Jonathon Keats sets out to revive Fuller’s unconventional practice of comprehensive anticipatory design, placing Fuller’s philosophy in a modern context and dispelling much of the mythology surrounding Fuller’s life. Keats argues that Fuller’s life and ideas, namely doing “the most with the least,” are now more relevant than ever as humanity struggles to meet the demands of an exploding world population with finite resources. Delving deeply into Buckminster Fuller’s colorful world, Keats applies Fuller’s most important concepts to present-day issues, arguing that his ideas are now not only feasible, but necessary.

From transportation to climate change, urban design to education, You Belong to the Universe demonstrates that Fuller’s holistic problem-solving techniques may be the only means of addressing some of the world’s most pressing issues. Keats’s timely book challenges each of us to become comprehensive anticipatory design scientists, providing the necessary tools for continuing Fuller’s legacy of improving the world.

Jonathon Keats is a writer, artist and experimental philosopher. He is recently the author of the story collection The Book of the Unknown (Random House), winner of the American Library Association’s 2010 Sophie Brody Medal, as well as Virtual Words: Language on the Edge of Science and Technology (2010) and Forged: Why Fakes are the Great Art of Our Age (2013), both published by OUP.

William E. Jones

William E. Jones discusses his new book, True Homosexual Experiences: Boyd McDonald and Straight to Hell, published by We Heard You Like Books.

A World War II veteran from the Great Plains, Boyd McDonald (1925-1993) had the makings of a successful career in the 1950s—an education at Harvard, jobs at Time/Life and IBM—but things didn’t turn out as planned. After 20 years of resentful conformity and worsening alcoholism, McDonald dried out, pawned all of his suits, and went on welfare. It was then that his life truly began.

From a tiny room in a New York SRO hotel, McDonald published Straight to Hell, a series of chapbooks collecting readers’ “true homosexual experiences.” Following the example of Alfred Kinsey, McDonald obsessively pursued the truth about sex between men just as gay liberation began to tame America’s sexual outlaws for the sake of legal recognition. Admired by such figures as Gore Vidal and William S. Burroughs, Straight to Hell combined a vigorous contempt for authority with a keen literary style, and was the precursor of queer ‘zines decades later. Even after his death, Boyd McDonald continued to trouble the powers that be—he was the subject of a 2006 opinion by U. S. Supreme Court Justice Sonia Sotomayor, who ruled that one of his books was pornographic while acknowledging that this question is ultimately vague and subjective.

William E. Jones conducted in-depth interviews with many people from McDonald’s life, including friends, colleagues, and most unexpectedly, family members who revealed that he was a loving uncle who doted on his nieces and great-nieces. A complex portrait drawn from a wealth of previously unpublished material, True Homosexual Experiences: Boyd McDonald and Straight to Hell is the first biography devoted to a key figure of the American underground.

William E. Jones was born in Canton, Ohio. He received a B. A. from Yale University and an M. F. A. from California Institute of the Arts. He has made the films Massillon (1991) and Finished (1997), which won a Los Angeles Film Critics Association award, the documentary Is It Really So Strange? (2004), and many videos including The Fall of Communism as Seen in Gay Pornography (1998). His work was included in the 1993 and 2008 Whitney Biennials, and he has had retrospectives at Tate Modern (2005), Anthology Film Archives (2010), and the Austrian Film Museum (2011). Jones has received a Guggenheim Fellowship, a Foundation for Contemporary Arts Grant, two California Community Foundation Fellowships, and most recently, a Creative Capital/Andy Warhol Foundation Arts Writers Grant. His books include “Killed”: Rejected Images of the Farm Security Administration (2010), Halsted Plays Himself (2011), Between Artists: Thom Andersen and William E. Jones (2013), Imitation of Christ, named one of the best photo books of 2013 by Time magazine, and Flesh and the Cosmos (2014). He lives in Los Angeles.