Writers Who Love Too Much

City Lights welcomes Dodie Bellamy and Kevin Killian, joined by special guests Margaret Jenkins, David O. Steinberg, Judy Grahn, Camille Roy, Roberto Bedoya, Gabrielle Daniels, Scott Watson, and Matias Viegener in celebrating the release of Writers Who Love Too Much: New Narrative 1977-1997, edited by Dodie Bellamy and Kevin Killian and published by Nightboat Books.

In the twenty years that followed America’s bicentennial, narrative writing was re-formed, reflecting new political and sexual realities. With the publication of this anthology, the New Narrative era bounds back to life, ripe with dramatic propulsion and infused with the twin strains of poetry and Continental theory. Arranged chronologically, the reader will discover classic texts of New Narrative from Bob Glück to Kathy Acker, and rare materials including period interviews, reviews, essays, and talks combined to form a new map of late twentieth-century creative rebellion.

Dodie Bellamy is the author of numerous works of prose. Her latest book is When the Sick Rule the World. She teaches creative writing at San Francisco State University and California College of the Arts.

Kevin Killian is a San Francisco-based poet, novelist, playwright, and art writer. He is the author of fifteen books and co-wrote Poet Be Like God, a biography of the American poet Jack Spicer (1925-1965). City Lights published his novel Impossible Princess, winner of the 2010 Lambda Literary Award for Best Gay Erotica .

PEACHES

PEACHES, joined by Annie Sprinkle and Beth Stephens in conversation, celebrates the release of What Else Is in the Teaches of Peaches.

 

What Else Is in the Teaches of Peaches presents a mesmerizing collection of Holger Talinski’s evocative and sometimes erotic photos of transgressive musical icon Peaches, on and off stage, with accompanying text by Peaches, Michael Stipe (R.E.M.), Yoko Ono, and the actress Ellen Page, best known for her lead role in the film Juno, which garnered her an Oscar nomination for Best Actress.PEACHES, born Merrill Nisker in Toronto, is a musician, singer, performance artist, producer, filmmaker, actor, and writer, who has lived and worked in Berlin since 2000. She has released four albums—The Teaches of Peaches, Fatherfucker, Impeach My Bush, I Feel Cream—and a new album is forthcoming. She has collaborated and appeared as a guest vocalist on albums by P!nk, R.E.M., Iggy Pop, Major Lazer, and Christina Aguilera, to mention a few. Her songs have been featured in dozens of films and TV shows including Mean Girls, Lost in Translation, Whip It, 30 Rock, Ugly Betty, South Park, and True Blood. Peaches has performed in more than fifty countries and has constantly toured the world for the past fourteen years. She created Peaches Christ Superstar, where she performed the entire rock opera Jesus Christ Superstar as a one-woman show; and she sang the lead role of L’Orfeo in a production of Monteverdi’s seventeenth-century Italian opera. Peaches’s most ambitious work to date was the mythical autobiographical electrorock stage-show-turned-film called Peaches Does Herself. The feature film debuted at the 2012 Toronto Film Festival and was warmly received at over seventy film festivals around the world. Peaches has just completed her first new album in over five years entitled RUB which will be released in 2015.

Annie Sprinkle Ph.D. is the prostitute/porn star turned artist/sexologist. She has passionately researched and explored sexuality in all of its glorious and inglorious forms for forty years, sharing her experiences through making her own unique brand of feminist sex films, writing books and articles, visual art making, creating theater performances, and teaching. For the past 12 years she has been collaborating on art projects with her partner, an artist and UCSC professor, Elizabeth Stephens. They are movers and shakers in the new “ecosex movement,” committed to making environmentalism more sexy, fun and diverse. In 2013, Sprinkle proudly received the Artist/Activist/Scholar Award from Performance Studies International at Stanford, and was awarded the Acker Award for Excellence in the Avant Garde.

 

Rad American Women A to Z Book Party!

City Lights, Radar Productions, Mutha Magazine, and Raising a Reader Bay Area were thrilled to celebrate the publication of their first kid’s book on March 28, 2015 at City Lights Bookstore.

87286100228580LAuthor Kate Schatz and artist Miriam Klein Stahl offered an engaging presentation that involved a reading from the book, a slideshow and Q&A, and a conversation about how to be rad! Kate and Miriam are both mothers and teachers, so they’re no stranger to entertaining young folks—audience participation was encouraged.

This event was hosted by Michelle Tea!

At this event, Miriam also participated in silk-screening, so guests brought a t-shirt, onesie, or other clothing item to rock their own Rad American Women A-Z gear!

Roxane Gay

Roxane Gay discusses her new book, Bad Feminist, at City Lights Book Store.

roxannegay Bad Feminist is a collection of essays spanning politics, criticism, and feminism from one of the most-watched young cultural observers of her generation, Roxane Gay.

In these funny and insightful essays, Roxane Gay takes us through the journey of her evolution as a woman (Sweet Valley High) of color (The Help) while also taking readers on a ride through culture of the last few years (Girls, Django in Chains) and commenting on the state of feminism today (abortion, Chris Brown). The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture.

Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better.

Interview with Thomas Page McBee

Thomas Page McBee speaks to City Lights about his new book, Man Alive. In this recording of the interview, McBee talks about his writing process and how he came to write the memoir. He also talks about his work in The Rumpus and what lays ahead for him in his literary career.

ThomasMcBeeFor more about Man Alive, go here.

Thomas Page McBee

Book Party for Thomas Page McBee
Thursday, October 9th, 2014, 7:00pm, City Lights Bookstore, San Francisco

ManAliveCover

Full recording of the book release party for Man Alive. Thomas Page McBee is introduced by City Lights publisher Elaine Katzenberger. Thomas reads from the book as well as his new material and takes questions from the audience about the book and his current/forthcoming projects.

What does it really mean to be a man?

Man Alive engages an extraordinary personal story to tell a universal one—how we all struggle to create ourselves, and how this struggle often requires risks. Far from a transgender transition tell-all, Man Alive grapples with the larger questions of legacy and forgiveness, love and violence, agency and invisibility.

“Thomas Page McBee’s Man Alive hurtled through my life. I read it in a matter of hours. It’s a confession, it’s a poem, it’s a time warp, it’s a brilliant work of art. I bow down to McBee—his humility, his sense of humor, his insightfulness, his structural deftness, his ability to put into words what is often said but rarely, with such visceral clarity and beauty, communicated.”—Heidi Julavits, author of The Vanishers and The Uses of Enchantment

Author Dia Felix Discussing Her New Novel Nochita at City Lights

87286100978980MWe were proud to talk to Dia Felix about her debut novel, Nochita. She discussed how her childhood molded the narrative and also about her collaborations with the Sister Spit group. Nochita is the latest novel in the City Lights/Sister Spit series.

Daughter to a divorced new age guru, Nochita wanders through the cracks of California’s counter-culture, half feral child, half absurdist prophet. When tragedy strikes she is sent to live with her father, a working-class cowboy with a fragile grasp on sobriety and a dangerously mean fiancée. Stuck with adults chillingly unable to care for her, Nochita takes to the streets, a runaway with nothing to run from, driven forward by desperation, hope and an irrepressible wonder.

Nochita is a poetic novel dazzling in its detail, stylistically daring, by turns hallucinatory, darkly funny and brutally real. At its heart is the singular voice of Nochita, tender and fierce, alone and alive and utterly unforgettable.

Dia Felix is a writer and filmmaker who’s screened films at independent festivals (Frameline, Outfest, San Francisco Film Festival), and performed literary work a lot too (Segue Series, Radar, Dixon Place). Her novel Nochita was published through City Lights/Sister Spit in early 2014. She teaches and mentors teens in experimental film making at Reel Works, a teen film making continuum in Brooklyn. She is an award-winning digital media producer for museums (Exploratorium, Museum of Arts and Design.) She is the founder and editor of Personality Press.

Editor Seth Perlow Discussing The Corrected Centennial Edition of Tender Buttons by Gertrude Stein

The Modern Language Association’s Committee on Scholarly Editions just awarded Tender Buttons: The Corrected Centennial Edition its seal designating it an MLA Approved Edition. Congratulations to editor Seth Perlow!

Tender Buttons is the touchstone work of radical modernist poetry, the fullest realization of the turn to language and the most perfect realization of ‘wordness,’ where word and object are merged. For the centennial of this masterpiece, Seth Perlow has given us much the best edition of the poem, based on Stein’s manuscript and corrections she made to the first edition. Punctuation, spelling, format, and a few phrases are affected and most especially the change in the capitalization of the section titles. ‘The difference is spreading.'”—Charles Bernstein, University of Pennsylvania, author of Attack of the Difficult Poems: Essays and Inventions

“Happy 100th birthday, Tender Button. You are as explosive, tantalizing, and delicious as you were on the day you were born. Your birthday gift from Seth Perlow and Juliana Spahr is a beautiful new edition that will carry you into your next century, the best edition ever. Your birthday gift from all of us who love literature and culture is to buy this edition for ourselves and all our friends. Congratulations to all.”–Catharine R. Stimpson, Professor, New York University, and co-editor of the two-volume Gertrude Stein: Writings published by the Library of America

“The publication of an authoritative edition of Tender Buttons, with Stein’s hitherto unpublished corrections and editions, is a splendid way to celebrate the centennial of this influential modernist work. Scholars will benefit from the full documentation, and readers will appreciate its convenient format, which resembles the original publication.”—Jonathan Culler, Cornell University

“This radical multi-dimensional generative cubist text with the simplest words imaginable continues to alter and shape poetics into the post post modernist future. We have Gertrude Stein’s ‘mind grammar’ operating at full tilt, with unpredictability, wit and sensory prevarication. Look to the ‘minutest particulars,’ Blake admonished, and here she does just that: ‘it is a winning cake.’ Salvos to the editor and salient ‘afterword’ that give belletristic notes and political perspective as well. A unique edition.”—Anne Waldman, The Jack Kerouac School of Disembodied Poetics

Seth Perlow is an Assistant Professor of English at Oklahoma State University. His research and teaching focus on twentieth-century American literature, poetry and poetics, new media studies, and gay and lesbian literature. He earned a PhD in English at Cornell University.

 

Ali Liebegott’s Book Party at City Lights!

celebrating the release of Cha-Ching! and The Beautifully Worthless the latest in the City Lights/Sister Spit series, Ali Liebegott had a pizza and reading party at City Lights!

Cha-Ching! is the story of Theo, our scruffy, big-hearted and quick-witted heroine, who is not so much down on her luck as delivered luckless into a culture where the winners and losers have already been decided. Her adventures in getting over take her from SF to NYC, from dyke bars to telemarketing outfits, casinos to free clinics. With the signature poet’s voice that has won her awards and acclaim, Liebegott investigates the conjoined hearts of hope and addiction in an unforgettable story of what it means to be young and broke in America.

Andrew Codrescu, author of So Recently Rent a World: New and Selected Poems, compared Liebegott’s writing to Dostoyevsky and her main character to On the Road’s Dean Moriarty when he said, “In the game of American-life-on-the-go hopscotch, Ali Liebegott’s heroine Theo just jumped a square ahead of Dean Moriarty. . . . The author’s fine writing about gambling is as good as I ever read, including Dostoevski’s and the Barthelme Bros. In the end, love, in whatever twisted, pallid form, a love that has little to do with sexuality, is the only answer. . . .Wonderful book.”

In Ali Liebegott’s award-winning road story, The Beautifully Worthless, a runaway waitress leaves her lover, grabs her dog and hits the highway. Liebegott maps her travels in a series of hilarious and heartbreaking letters to the girl she left behind, and some of the most exquisite poetry written about love, heartache and madness.

The winner of the 2005 Lambda Literary Award for Debut Lesbian Fiction, The Beautifully Worthless is back in print and now available from City Lights/Sister Spit!

Sister Spit takes City Lights by Storm

On Wednesday, October 24, 2012, City Lights Bookstore celebrated the release of Sister Spit: Writing, Rants and Reminiscence from the Road (City Lights Books), hosted by Michelle Tea. Featuring readings from Ali Liebegott, Ben McCoy, Cassie J. Sneider, Kat Marie Yoas, MariNaomi, Michelle Tea, Rhiannon Argo, Sara Seinberg, Tamara Llosa Sandor.

A collection of writing and artwork from the irreverent, flagrantly queer, hilariously feminist, tough-talking, genre-busting ruffians who have toured with the legendary Sister Spit. Co-founded in 1997 by award-winning writer Michelle Tea, Sister Spit is an underground cultural institution, a gender-bending writers’ cabaret that brings a changing roster of both emerging writers and some of the most important queer and counterculture artists of the day to universities, art galleries, community spaces, and other venues across the country and worldwide.

Sister Spit: Writing, Rants and Reminiscence from the Road captures the provocative, politicized, and risk-taking elements that characterize the Sister Spit aesthetic, stamping the raw energy and signature style of the live show onto the page. Bratty poets and failed priestesses, punk angst and tough love, too much to drink and tattooed timelines—this anthology captures it all in a collection of poetry, personal narrative, fiction, and artwork. Featuring a who’s who of queer and queer-centric writers and artists, the collection functions as a travelogue, a historical document, and a yearbook from irreverent graduates of the school of hard knocks.

Eileen Myles * Beth Lisick * Michelle Tea * MariNaomi * Cristy Road * Ali Liebegott * Blake Nelson * Lenelle Moise * and Many More!

“Heartbreakingly beautiful writing; sometimes funny, sometimes shattering—always revolutionary. Truly amazing collection!”—Margaret Cho

“Sister Spit is like the underground railroad for burgeoning queer writers. Not only in the van, but in the audiences trapped in the hinterlands of America and looking to escape. Sister Spit saves lives.”—Justin Vivian Bond, author of TANGO: My Childhood, Backwards and in High Heels

An evening in solidarity with PUSSY RIOT!

City Lights and The Feminist Press present An evening in solidarity with PUSSY RIOT! celebrating the release of the new book: Pussy Riot! A Punk Prayer for Freedom (The Feminist Press).

Readings, declamations, and manifestos by: Frightwig (Deanna Mitchell, Mia Simmans, Cecelia Kuhn, Eric Drew Feldman), Daphne Gottlieb, Penelope Houston (of The Avengers), Sophia Kumin, Meri St. Mary (of The House Coat Project), Michelle Tea, and V. Vale (of Search and Destroy & Re/Search Publications).

On February 21, 2012, five members of a Russian feminist punk collective Pussy Riot staged a performance in the Cathedral of Christ the Savior in Moscow. Dressed in brightly colored tights and balaclavas, they performed their “Punk Prayer” asking the Virgin Mary to drive out Russian president Vladimir Putin from the church. After just forty seconds, they were chased out by security. Once a retooled video of the events circulated on YouTube (edited to seem much longer than the actual performance), the state was riled into action. Three members of the collective, Maria Alyokhina, Nadezhda Tolokonnikova, and Yekaterina Samutsevich, known as Masha, Nadya, and Katya, were arrested and charged with felony hooliganism motivated by religious hatred, an offense carrying a sentence of up to seven years. As their trial unfolded, these young women became global feminist icons, garnering the attention and support of activists and artists around the world, including Madonna, Paul McCartney, and Patti Smith, as well as contributors to this book: Yoko Ono, Johanna Fateman, Karen Finley, Justin Vivian Bond, Eileen Myles, and JD Samson. The Internet exploded with petitions, music videos, and calls to action, and as the guilty verdict was anticipated, Pussy Riot responded with articulate, unwavering courtroom statements, calling for freedom of expression, an end to economic and gender oppression, and a separation of church and state. They were sentenced to two years in prison, and inspired a global movement. Collected here are the words that roused the world.

 Profits from the sale of the book go to the PUSSYRIOT defense fund.

An Interview with Catherine Wagner

Catherine Wagner performing at City Lights.

Editor of the City Lights/Spotlight Poetry series Garrett Caples interviewed poet Catherine Wagner before her reading at City Lights at the end of October. She finishes her tour in New York on Dec. 12th at the Poetry Project.

They discussed performance and poetry, connecting with an audience, and the theory of William Blake’s “the bounding line,” which Wagner cites as the inspiration for her newest poetry collection Nervous Device.

“Wagner’s fourth collection contains poems of memory and dark artifice. She writes with an obscure, magnetic lens… the linguistic tightness of these poems are highlights of Wagner’s collection.”—Publisher’s Weekly

Nervous Device is such a smart book. You never know where the poems are going to take you, or when some startling, often cringe-making image or thought will intrude. Unable to settle into a comfortable rhetorical space, these poems reject simple claims to knowing something or doing right or changing the world. Rather, they move like an erratic insect stuck in a language bell jar. Brilliant, and disturbing.”—Jennifer Moxley

“Nervous device, the human machine, palpitating inside its own little bounding lines. These poems do everything the human device does, vibrating like an electrified tornado inside a glass jar, and make this reader profoundly alive to huge swathes of being. There is no machine for mastering the self (yet), but there are Cathy Wagner’s poems.”—Eleni Sikelianos

“The poems in Nervous Device resonate with a knowing nod to time and the difficulty and struggle of being sentient and intimate—of loving while being human. This is poetry connectivity: sexy, poignant, knowing. And the poems here make me feel possible.”—Hoa Nguyen

In Nervous Device, Catherine Wagner takes inspiration from William Blake’s “bounding line” to explore the poem as a body at the intersection between poet and audience. Using this figure as a model for various sexual, political, and economic interactions, Wagner’s poems shift between seductive lyricism and brash fragmentation as they negotiate the failure of human connection in the twilight of American empire. Intellectually informed, yet stubbornly insistent on their own objecthood, and taking a bewildering variety of forms, the poems of Nervous Device express a self-conscious skepticism about the potential for human connection even as they maintain an optimistically charged eroticism.

An Interview with City Lights/Sister Spit Editor Michelle Tea

Michelle Tea, co-founder of the literary roadshow Sister Spit and editor of the new City Lights/Sister Spit imprint, sat down with City Lights staffer Jolene Torr to discuss the inaugural book in the series Sister Spit: Writing, Rants and Reminiscence from the Road and some of the challenges that came with editing an anthology of spoken word. Listen below:

Pure joy at City Lights Bookstore

And(!) last week Michelle, along with contributors Ali Liebegott, Cassie J. Sneider, Ben McCoy, MariNaomi, Rhiannon Argo, Tamara Llosa-Sandor, Sara Seinberg, and Kat Marie Yoas, celebrated the book’s release at City Lights aaaand it was amazing.

Michelle and crew are finishing their book tour with stops at Powell’s in Portland, at Bluestockings in New York, and a City Lights extravaganza at Greenlight Books in Brooklyn with a different line-up each time. Portland and New York, y’all are in for a treat.

Sister Spit: Writing, Rants and Reminiscence from the Road captures the provocative, politicized, and risk-taking elements that characterize the Sister Spit aesthetic, stamping the raw energy and signature style of the live show onto the page. Bratty poets and failed priestesses, punk angst and tough love, too much to drink and tattooed timelines—this anthology captures it all in a collection of poetry, personal narrative, fiction, and artwork. Featuring a who’s who of queer and queer-centric writers and artists, the collection functions as a travelogue, a historical document, and a yearbook from irreverent graduates of the school of hard knocks.

With Eileen Myles * Beth Lisick * Michelle Tea * MariNaomi * Cristy Road * Ali Liebegott * Blake Nelson * Lenelle Moise * and Many More!

“Heartbreakingly beautiful writing; sometimes funny, sometimes shattering—always revolutionary. Truly amazing collection!”—Margaret Cho

Dennis Cooper and Dodie Bellamy celebrate the release of their new books, The Marbled Swarm and the buddhist

On Wednesday, November 16, 2011, Dennis Cooper & Dodie Bellamy joined us at City Lights to celebrate the release of their new books, The Marbled Swarm and the buddhist.

The long-anticipated new novel from literary icon Dennis Cooper is a moody and foreboding tale of a son’s unwitting devotion to a possibly insane father. The Marbled Swarm (Harper Perennial) tells the story of a son raised by a charmingly psychopathic father and taught a private language only the two of them know. With its Parisian and French countryside setting; its trappings of high art, old money, and haute cuisine that obscure an unspeakable system of coercion and surrender; and its completely original, lilting voice; The Marbled Swarm may read as a departure from Cooper’s earlier work – a new beginning, of sorts.  But once again – with secret passages, events that may or may not have happened, and a father-son relationship strangely heavy with sexual tension – readers will find themselves enveloped in a world only Dennis Cooper could create.

 

What is personal, what is public? In our electronic age, can anybody tell the difference? While ending an affair with a Buddhist teacher, Dodie Bellamy wrote about it simultaneously on her blog. In her experiment in writing through states of extremis, she explores nuances of public shame, the vagaries of desire and rage, and her confusion over the authenticity of group and individual spirituality. the buddhist (Allone Editions) becomes a celebration of marginalized subjectivity as enacted in the work of female artists from Bessie Smith to Eva Hesse and Carolee Schneeman, to Bhanu Kapil and Ariana Reines.  This volume contains the essence of the blog, as well as more extended narratives too explicit to post on line.  Like Duras’ The Lover, Bellamy’s writing glorifies the abject and the discarded; it is a passionate evocation of a love lost and a raw depth plumbed.

 

Dennis Cooper – called a “disquieting genius” by Vanity Fair – is the acclaimed author of the George Miles Cycle, an interconnected sequence of five novels: CloserFriskTryGuide, and Period. His other works include My Loose ThreadThe Sluts, winner of France’s Prix Sade and the Lambda Literary Award; God, Jr.WrongThe Dream PoliceUgly Man; and Smothered in Hugs. His plays “Jerk” and “Them” are performed widely across Europe and the United States.

 

Dodie Bellamy is a novelist, nonfiction author, journalist and editor. She is one of the originators in the New Narrative literary movement, which attempts to use the tools of experimental fiction and critical theory and apply them to narrative storytelling. Dodie is the author of Feminine HijinxBroken EnglishThe Letters of Mina Harker, and Pink Steam.

 

 

 

 

Renegade performance artist Penny Arcade shows off Bad Reputation

Renegade performer Penny Arcade makes a rare appearance to celebrate the release of Bad Reputation: Performances, Essays, Interviews, from Semiotext(e)

A runaway at thirteen, a reform-school graduate at sixteen, a performer in the legendary New York City Playhouse of the Ridiculous at seventeen, and an escapee from Andy Warhol’s Factory scene at nineteen, Penny Arcade (born Susanna Ventura) emerged in the 1980s as a primal force on the New York art scene and an originator of what came to be called performance art. Arcade’s brand of high camp and street-smart, punk-rock cabaret showmanship has been winning over international audiences ever since.

Bitch!Dyke!Faghag!Whore!, is Penny Arcade’s raucous, cutting-edge sex and censorship show, (which continues to be a commercial hit around the world), featuring the daily life of a receptionist in a brothel, the upbringing and rearing of a “faghag,” the evolution of the New York gay scene in the 1990s, and a participatory “audience dance break.” The funny and heart-rending title work, Bad Reputation, portrays a young teen runaway’s coming of age in a Catholic reform school (run by nuns who are former fashion models) and her subsequent life on the streets of 1960s New York. La Miseria, a rare depiction of working-class Italian-Americans from a woman’s point of view that portrays the clash between working-class morals and compassion during the 1980s AIDS epidemic, rounds out the trilogy.

Bad Reputation is the first book by and on Penny Arcade. The complete scripts are accompanied by a new interview with Penny Arcade by Chris Kraus, a range of archival photographs of the East Village scene and Arcade’s performances, an introduction by playwright Ken Bernard, and contributions by Sarah Schulman, Steve Zehentner, and Stephen Bottoms.

Kevin Killian Reads From His New City Lights Collection, Impossible Princess

Kevin Killian reads from his new collection of new fiction, Impossible Princess, published by City Lights Books

Impossible Princess is the third collection of gay short fiction by Kevin Killian. An original member of the notorious San Francisco-based “new narrative” circle including Dennis Cooper and Kathy Acker, Killian is a master short story writer, crafting campy yet edgy tales that explore both the humor and darkness of desire. From an examination of an ex-British-boy-band-member’s skeevy skivvies, to a sexual assault inside a copy machine, to a nocturnal tryst in a panther cage, Impossible Princess runs a bizarre gamut of erotic experience, where the appetite of lust is only satisfied by the peculiar unexpected.

A founder and former director of Small Press Traffic, Kevin Killian has long been a hidden favorite of gay literary San Francisco. Killian has published numerous books, including two previous story collections, the Pen award-winning Little Men (1996) and I Cry Like a Baby (2001). His latest novel, Spreadeagle (2010), is published by Alyson Books. With his wife Dodie Bellamy, he edits the long-running poetry zine, Mirage/Periodical. His work has been widely anthologized and has appeared in, among others, Best American Poetry 1988 (ed. John Ashbery), and Discontents (ed. Dennis Cooper).

Recorded Thursday, December 3 at City Lights Books in San Francisco