A book of visionary works, Solar Poems is the first English translation of a single volume of poems by Mexico’s famed poet-activist, Homero Aridjis, exploring political consciousness as well as the psychological unconscious. Reflecting his ecological concerns and a mystical relationship with the sun, Aridjis’s poems range from the humorous to the poignant, transcending the boundary between life and death as he explores his own past and Mexico’s cultural heritage.

A poet of worldwide renown, Aridjis has received two Guggenheim Fellowships and numerous awards, including the Global 500 Award from the United Nations Environment Program on behalf of the environmental association he founded, the Group of 100, in 1987, and the Prix Roger Caillois from France for poetry and fiction in 1997. President Emeritus of International PEN and former Ambassador to the Netherlands and Switzerland, Aridjis was until recently presently Mexico’s Ambassador to UNESCO. A prolific author, Aridjis published Poemas solares (Solar Poems) in 2005.

“Homero Aridjis’s poems open a door into the light.” — Seamus Heaney

“In the poetry of Homero Ardjis there is the gaze, the pulse of the poet . . . the discontinuous time of practical and rational life and the continuity of desire and death; there is the poet’s personal truth.” — Octavio Paz

No one who read Elif Batuman’s first article (in the journal n+1) will ever forget it. “Babel in California” told the true story of various human destinies intersecting at Stanford University during a conference about the enigmatic writer Isaac Babel. Over the course of several pages, Batuman managed to misplace Babel’s last living relatives at the San Francisco airport, uncover Babel’s secret influence on the making of King Kong, and introduce her readers to a new voice that was unpredictable, comic, humane, ironic, charming, poignant, and completely, unpretentiously full of love for literature.

Batuman’s subsequent pieces—for The New Yorker, Harper’s Magazine, and the London Review of Books— have made her one of the most sought-after and admired writers of her generation, and its best traveling companion. In The Possessed we watch her investigate a possible murder at Tolstoy’s ancestral estate. We go with her to Stanford, Switzerland, and St. Petersburg; retrace Pushkin’s wanderings in the Caucasus; learn why Old Uzbek has one hundred different words for crying; and see an eighteenth-century ice palace reconstructed on the Neva.

Love and the novel, the individual in history, the existential plight of the graduate student: all find their place in The Possessed. Literally and metaphorically following the footsteps of her favorite authors, Batuman searches for the answers to the big questions in the details of lived experience, combining fresh readings of the great Russians, from Pushkin to Platonov, with the sad and funny stories of the lives they continue to influence—including her own.

Elif Batuman was born in New York City and grew up in New Jersey. She now lives in Twin Peaks, San Francisco (near the radio tower). She is the recipient of a Rona Jaffe Prize. She teaches literature at Stanford University.

The second installment of the City Lights Spotlight poetry series, Free Cell is the latest collection from Anselm Berrigan, one of the most significant American poets under 40. Consisting of two experimental suites—”Have a Good One” and “To Hell with Sleep”—connected by the central poem “Let Us Sample Protection Together,” Free Cell is Berrigan’s most ambitious work to date, a spiritual autobiography wrapped in an exploration of form. His work combines the freneticism of his New York environment with oblique humor, political angst, and a reflective, lyrical interrogation of his own subjectivity: “For my part it’s/ been an honor/ to be at someone’s/ service, though doing/ so has diminished/ my expiration date/ and my astral self-/ projection has already/ fled in bitter tears/ having used up even addiction.”

The first installment of our new Spotlight poetry series, Where Shadows Will selects from twenty years of innovative writing by Bay Area poet, translator, and visual artist Norma Cole. Beginning with her earliest collection, Mace Hill Remap (1988), and taking us up through her recent NATURAL LIGHT (2008), Where Shadows Will is a comprehensive overview of Cole’s melodic and experimental poetry, whose shadow-haunted landscapes embody a theory-informed exploration of the relationship between language, self, and world. By turns severe and exuberant, Where Shadows Will confirms Cole’s place as a major avant-garde poet and a leading voice among contemporary innovative women writers.

Renegade performer Penny Arcade makes a rare appearance to celebrate the release of Bad Reputation: Performances, Essays, Interviews, from Semiotext(e)

A runaway at thirteen, a reform-school graduate at sixteen, a performer in the legendary New York City Playhouse of the Ridiculous at seventeen, and an escapee from Andy Warhol’s Factory scene at nineteen, Penny Arcade (born Susanna Ventura) emerged in the 1980s as a primal force on the New York art scene and an originator of what came to be called performance art. Arcade’s brand of high camp and street-smart, punk-rock cabaret showmanship has been winning over international audiences ever since.

Bitch!Dyke!Faghag!Whore!, is Penny Arcade’s raucous, cutting-edge sex and censorship show, (which continues to be a commercial hit around the world), featuring the daily life of a receptionist in a brothel, the upbringing and rearing of a “faghag,” the evolution of the New York gay scene in the 1990s, and a participatory “audience dance break.” The funny and heart-rending title work, Bad Reputation, portrays a young teen runaway’s coming of age in a Catholic reform school (run by nuns who are former fashion models) and her subsequent life on the streets of 1960s New York. La Miseria, a rare depiction of working-class Italian-Americans from a woman’s point of view that portrays the clash between working-class morals and compassion during the 1980s AIDS epidemic, rounds out the trilogy.

Bad Reputation is the first book by and on Penny Arcade. The complete scripts are accompanied by a new interview with Penny Arcade by Chris Kraus, a range of archival photographs of the East Village scene and Arcade’s performances, an introduction by playwright Ken Bernard, and contributions by Sarah Schulman, Steve Zehentner, and Stephen Bottoms.

This collection of mordant, poignant and playful essays shows Rebecca Brown at the height of her imaginative and intuitive powers. A wry and incisive social and literary critique is couched in a gonzo mix of pop culture, autobiography, fiction, literary history, misremembered movie plots and fantasy that plays with the notion of what it is to be “American.”

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Rebecca Brown, Kevin Killian, Dodie Bellamy, and Robert Gluck celebrate the release of Life As We Show It: Writing On Film, edited by Brian Pera and Masha Tupitsyn and published by City Lights.

Life As We Show It is a dynamic cross-genre collection that uses short stories, essays, and poetry to explore the cinematic experience. In these innovative writings, the movie-viewer relationship is positioned as protagonist, theme and plot, and most importantly, as a new genre in its own right.

Impossible Princess is the third collection of gay short fiction by Kevin Killian. An original member of the notorious San Francisco-based “new narrative” circle including Dennis Cooper and Kathy Acker, Killian is a master short story writer, crafting campy yet edgy tales that explore both the humor and darkness of desire. From an examination of an ex-British-boy-band-member’s skeevy skivvies, to a sexual assault inside a copy machine, to a nocturnal tryst in a panther cage, Impossible Princess runs a bizarre gamut of erotic experience, where the appetite of lust is only satisfied by the peculiar unexpected.

A founder and former director of Small Press Traffic, Kevin Killian has long been a hidden favorite of gay literary San Francisco. Killian has published numerous books, including two previous story collections, the Pen award-winning Little Men (1996) and I Cry Like a Baby (2001). His latest novel, Spreadeagle (2010), is published by Alyson Books. With his wife Dodie Bellamy, he edits the long-running poetry zine, Mirage/Periodical. His work has been widely anthologized and has appeared in, among others, Best American Poetry 1988 (ed. John Ashbery), and Discontents (ed. Dennis Cooper).

Recorded Thursday, December 3 at City Lights Books in San Francisco

In this episode, poet Sesshu Foster reads from his eclectic World Ball Notebook, recorded at City Lights on April 29, 2009.

The first team sport in human history was played with a ball made of stone, on courts that have been found from the Mayan ruins of Central America to Arizona. Thus we find a soccer dad walking the sidelines of a scuffed LA field, its goal lines swirling, nets strung loosely between daylight and the spirit world — Foster’s inimitably fierce and powerfully evocative mix of the fantastic and the mundane.

For more, visit Sesshu Foster’s blog, East Los Angeles Dirigible Air Transport Lines.

Charles Bukowski (1920-1994), one of the most outrageous and controversial figures of 20th-century American literature, was so prolific that many important pieces were never collected during his lifetime. Portions is a substantial selection of these wide-ranging works, most of which have been unavailable since their original appearance in underground newspapers, literary journals, even porno mags. Among the highlights are his first published short story, “Aftermath of a Lengthy Rejection Slip”; his last short story, “The Other”; his first and last essays; and the first installment of his famous “Notes of a Dirty Old Man” column. The book contains meditations on his familiar themes (drinking, horse-racing, etc.) as well as singular discussions of such figures as Artaud, Pound, and the Rolling Stones. Other significant works include the experimental title piece; a fictionalized account of meeting his hero, John Fante (“I Meet the Master”); an unflinching review of Hemingway (“An Old Drunk Who Ran Out of Luck”); the intense, autobiographical “Dirty Old Man Confesses”; and several discussions of his aesthetics (“A Rambling Essay on Poetics and the Bleeding Life Written While Drinking a Six-Pack (Tall),” “In Defense of a Certain Type of Poetry, a Certain Type of Life, a Certain Type of Blood-Filled Creature Who Will Someday Die,” and “Upon the Mathematics of the Breath and the Way”, revealing an unexpectedly learned mind behind his seemingly offhand productions.

Some like to spend this romantic holiday amidst candles and soft music. Not us. It was an evening of passionate heckling and literary transgression as Peter Maravelis, the editor of San Francisco Noir, hosted a release party for a second volume of hardboiled fiction celebrating the underbelly of our city-by-the-bay.

Authors from San Francisco Noir, Volumes One and Two read selections from their works and the works of noir masters of the past. The evening included readings by Craig Clevenger, author of The Contortionist’s Handbook and Dermaphoria; David Corbett, author Blood of Paradise and Done for a Dime; Don Herron, original Suicide Club member & creator of The Dashiell Hammett Tour; John Shirley, cyber-punk trailblazer, author of Black Glass; Sin Sorrocco, original Black Lizard author, author of Low Bite and Edge City; and Domenic Stansberry,
author of The Last Days of Il Duce and The Ancient Rain

We couldn’t include them all (owing to limited space and an uncooperative and very loud refrigeration system), but we present for you here two readers from that evening:

Don Herron, original Suicide Club member & creator of The Dashiell Hammett Tour, & Domenic Stansberry, author of The Last Days of Il Duce and The Ancient Rain.

Friedrich Hölderlin emerged in the early 20th century as one of the key figures of modern European literature. This comprehensive selection of over 80 of his odes, hexameters, and elegies is taken from the important early period of his mature work—a time in which we encounter the poet open to nature and love with a rare vulnerability. The translations in a new book of translations, Odes and Elegies includes poems never before available in English, rendering forcefully and directly the deep longing and heartbreak of Hölderlin’s poetic world; their open, pathos-filled rhythm and disarming clarity present Hölderlin’s powerful work as distinctive English poems.

Friedrich Hölderlin (1770–1843), whose work has influenced such figures as Rilke, Celan, Heidegger, Adorno, and Benjamin, is considered by many to be one of the most important German lyric poets.

Nick Hoff is a writer and translator who lives in San Francisco. His translations have been published in numerous journals.

Recording for this podcast was provided by Ian Hiebert of Dublit.com