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	<title>Live From City Lights: The City Lights Podcast &#187; Nonfiction</title>
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	<link>http://www.citylightspodcast.com</link>
	<description>Readings, Interviews, and Reviews from City Lights Books &#38; Publishers</description>
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		<title>Wendell Potter reads from Deadly Spin</title>
		<link>http://www.citylightspodcast.com/wendell-potter-reads-from-deadly-spin/</link>
		<comments>http://www.citylightspodcast.com/wendell-potter-reads-from-deadly-spin/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 18:51:01 +0000</pubDate>
		<dc:creator>jeff</dc:creator>
				<category><![CDATA[Critical Studies]]></category>
		<category><![CDATA[Muckraking]]></category>
		<category><![CDATA[Nonfiction]]></category>

		<guid isPermaLink="false">http://www.citylightspodcast.com/?p=472</guid>
		<description><![CDATA[Here&#8217;s a newly released recording from the archive: Wendell Potter discussing Deadly Spin at City Lights Bookstore! Wendell Potter, former Vice President of Communications at CIGNA, made national headlines in 2009 when he testified before a Senate panel, disclosing how profit-driven insurance companies engage in practices forcing millions of Americans into under-insured or uninsured status. [...]]]></description>
			<content:encoded><![CDATA[<p><a class="size-full wp-image-473 alignleft" title="potter_deadlyspin"><img class="size-full wp-image-473 alignleft" title="potter_deadlyspin" src="http://www.citylightspodcast.com/wp-content/uploads/2011/10/potter_deadlyspin.jpg" alt="" width="197" height="300" /></a> Here&#8217;s a newly released recording from the archive: Wendell Potter discussing <em>Deadly Spin</em> at City Lights Bookstore!</p>
<p><strong>Wendell Potter</strong>, former Vice President of Communications at CIGNA, made national headlines in 2009 when he testified before a Senate panel, disclosing how profit-driven insurance companies engage in practices forcing millions of Americans into under-insured or uninsured status.</p>
<p>Since then he has worked tirelessly as an outspoken critic of corporate PR and the distortion and fear manufactured by the wealthy health insurance industry. It is a PR juggernaut that is bankrolled by millions of dollars, rivaling lobbying budgets and underwriting many “non-partisan” and “grassroots” organizations. His book, <em>Deadly Spin</em>, is not just an expose of health insurers but a stark warning that corporate spin is distorting our democracy.</p>
<p>&#8212;</p>
<p><img class="alignleft  wp-image-836" title="wendell_home" src="http://www.citylightspodcast.com/wp-content/uploads/2012/01/wendell_home.jpg" alt="" width="126" height="180" />Wendell is currently a senior analyst at the <strong><a href="http://www.publicintegrity.org/" target="_blank">The Center for Public Integrity</a></strong>, a non-partisan nonprofit that produces original, responsible investigative journalism on issues of public concern; the senior fellow on health care for the <strong><a href="http://www.prwatch.org/" target="_blank">Center for Media and Democracy</a></strong>, an independent, non-partisan public interest organization; and speaks out on both the need for a fundamental overhaul of the American health care system and on the dangers to American democracy and society of the decline of the media as watchdog, which has contributed to the growing and increasingly unchecked influence of corporate PR. He also serves as a consumer liaison representative for the <strong><a href="http://www.naic.org/" target="_blank">National Association of Insurance Commissioners</a></strong>.</p>
<p>In widely covered testimony before the Senate Commerce, Science and Technology Committee in June of 2009, Wendell disclosed how insurance companies, as part of their efforts to boost profits, have engaged in practices that have resulted in millions of Americans being forced into the ranks of the uninsured. Wendell also described how the insurance industry has developed and implemented strategic communications plans, based on deceptive public relations, advertising and lobbying efforts, to defeat reform initiatives.</p>
<p>Since then Wendell has testified before two House committees, briefed several members of Congress and their staffs, appeared with members of Congress at several press conferences, spoken at more than 100 public forums, and has been the subject of numerous articles in the U.S. and foreign media.</p>
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		<title>William E. Jones reads from Halstead Plays Himself</title>
		<link>http://www.citylightspodcast.com/william-e-jones-reads-from-halstead-plays-himself/</link>
		<comments>http://www.citylightspodcast.com/william-e-jones-reads-from-halstead-plays-himself/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 17:00:54 +0000</pubDate>
		<dc:creator>jeff</dc:creator>
				<category><![CDATA[Critical Studies]]></category>
		<category><![CDATA[Nonfiction]]></category>
		<category><![CDATA[Queer Studies]]></category>
		<category><![CDATA[Radical History]]></category>

		<guid isPermaLink="false">http://www.citylightspodcast.com/?p=743</guid>
		<description><![CDATA[On Thursday, December 8, 2011 at City Lights Bookstore, William E. Jones read from Halsted Plays Himself (Semiotexte Books). &#160; Fred Halsted&#8216;s L.A. Plays Itself (1972) was gay porn&#8217;s first masterpiece: a sexually explicit, autobiographical, experimental film whose New York screening left even Salvador Dalí repeatedly muttering &#8220;new information for me.&#8221; Halsted, a self-taught filmmaker, shot the film over a [...]]]></description>
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<div>On Thursday, December 8, 2011 at City Lights Bookstore, <strong>William E. Jones</strong> read from <strong><a href="http://www.citylights.com/book/?GCOI=87286100250480" target="_blank">Halsted Plays Himself</a> </strong>(Semiotexte Books).</div>
<div>
<p>&nbsp;</p>
<p><a href="http://www.citylights.com/book/?GCOI=87286100250480"><img class="size-full wp-image-754 alignleft" title="Halsted-Plays-Himself" src="http://www.citylightspodcast.com/wp-content/uploads/2011/12/Halsted-Plays-Himself.jpg" alt="" width="150" height="214" /></a></p>
<p><strong>Fred Halsted</strong>&#8216;s <em>L.A. Plays Itself</em> (1972) was gay porn&#8217;s first masterpiece: a sexually explicit, autobiographical, experimental film whose New York screening left even Salvador Dalí repeatedly muttering &#8220;new information for me.&#8221; Halsted, a self-taught filmmaker, shot the film over a period of three years in a now-vanished Los Angeles, a city at once rural and sleazy.</p>
<p>Although his cultural notoriety at one point equaled that of Kenneth Anger or Jack Smith, Halsted&#8217;s star waned in the 1980s with the emergence of a more commercial gay-porn industry. After the death from AIDS of his long-time partner, lover, spouse (and tormentor) Joey Yale in 1986, Halsted committed suicide in 1989.</p>
<p>In <em>Halsted Plays Himself</em>, acclaimed artist and filmmaker William E. Jones documents his quest to capture the elusive public and private personas of Halsted–to zero in on an identity riddled with contradictions. Jones assembles a narrative of a long-gone gay lifestyle and an extinct Hollywood underground, when independent films were still possible, and the boundary between experimental and pornographic was not yet established. The book also depicts what sexual liberation looked like at a volatile point in time–and what it looked like when it collapsed.<br />
<strong></strong><br />
<strong></strong></p>
<p>&nbsp;</p>
<p><strong>William E. Jones </strong>is an artist and filmmaker who teaches film history at the Art Center College of Design in Pasadena. He has made two feature length experimental films, <em>Massillon</em> (1991) and <em>Finished</em> (1997), several short videos, including <em>The Fall of Communism as Seen in Gay Pornography</em> (1998), the feature length documentary <em>Is It Really So Strange? </em>(2004), and many video installations. His films and videos were the subject of retrospectives at Tate Modern, London, in 2005, and at Anthology Film Archives, New York, in 2010. He has worked in the adult video industry under the name Hudson Wilcox.</p>
</div>
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		<title>Thaddeus Russell reads from A Renegade History of the United States</title>
		<link>http://www.citylightspodcast.com/thaddeus-russell-reads-from-a-renegade-history-of-the-united-states/</link>
		<comments>http://www.citylightspodcast.com/thaddeus-russell-reads-from-a-renegade-history-of-the-united-states/#comments</comments>
		<pubDate>Thu, 08 Dec 2011 17:00:44 +0000</pubDate>
		<dc:creator>jeff</dc:creator>
				<category><![CDATA[Critical Studies]]></category>
		<category><![CDATA[Nonfiction]]></category>
		<category><![CDATA[Radical History]]></category>

		<guid isPermaLink="false">http://www.citylightspodcast.com/?p=475</guid>
		<description><![CDATA[Noted historian Thaddeus Russell dropped by City Lights Bookstore to read from his new book, A Renegade History of the United States. The book tells a new and surprising story about the origins of American freedom. Rather than crediting the standard textbook icons, Russell demonstrates that it was those on the fringes of society whose [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.citylightspodcast.com/wp-content/uploads/2011/10/thadrussell_renegadehistory.jpg"><img class="size-full wp-image-476 alignleft" title="thadrussell_renegadehistory" src="http://www.citylightspodcast.com/wp-content/uploads/2011/10/thadrussell_renegadehistory.jpg" alt="" width="204" height="300" /></a></p>
<p>Noted historian <strong>Thaddeus Russell</strong> dropped by City Lights Bookstore to read from his new book, <em>A Renegade History of the United States</em>. The book tells a new and surprising story about the origins of American freedom. Rather than crediting the standard textbook icons, Russell demonstrates that it was those on the fringes of society whose subversive lifestyles helped legitimize the taboo and made America the land of the free.</p>
<p>In vivid portraits of renegades and their “respectable” adversaries, Russell shows that the nation’s history has been driven by clashes between those interested in preserving social order and those more interested in pursuing their own desires—insiders versus outsiders, good citizens versus bad. The more these accidental revolutionaries existed, resisted, and persevered, the more receptive society became to change.</p>
<p>Russell brilliantly and vibrantly argues that it was history’s iconoclasts who established many of our most cherished liberties. Russell finds these pioneers of personal freedom in the places that usually go unexamined—saloons and speakeasies, brothels and gambling halls, and even behind the Iron Curtain. He introduces a fascinating array of antiheroes: drunken workers who created the weekend; prostitutes who set the precedent for women’s liberation, including “Diamond Jessie” Hayman, a madam who owned her own land, used her own guns, provided her employees with clothes on the cutting-edge of fashion, and gave food and shelter to the thousands left homeless by the 1906 San Francisco earthquake; there are also the criminals who pioneered racial integration, unassimilated immigrants who gave us birth control, and brazen homosexuals who broke open America’s sexual culture.</p>
<p>Among Russell’s most controversial points is his argument that the enemies of the renegade freedoms we now hold dear are the very heroes of our history books— he not only takes on traditional idols like John Adams, Thomas Jefferson, Andrew Carnegie, John Rockefeller, Thomas Edison, Franklin Roosevelt, and John F. Kennedy, but he also shows that some of the most famous and revered abolitionists, progressive activists, and leaders of the feminist, civil rights, and gay rights movements worked to suppress the vibrant energies of working-class women, immigrants, African Americans, and the drag queens who founded Gay Liberation.</p>
<p>This is not history that can be found in textbooks— it is a highly original and provocative portrayal of the American past as it has never been written before.</p>
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		<title>Judith Halberstam reads from The Queer Art of Failure</title>
		<link>http://www.citylightspodcast.com/judith-halberstam-reads-from-the-queer-art-of-failure/</link>
		<comments>http://www.citylightspodcast.com/judith-halberstam-reads-from-the-queer-art-of-failure/#comments</comments>
		<pubDate>Tue, 22 Nov 2011 16:00:05 +0000</pubDate>
		<dc:creator>jeff</dc:creator>
				<category><![CDATA[Critical Studies]]></category>
		<category><![CDATA[Nonfiction]]></category>
		<category><![CDATA[Queer Studies]]></category>

		<guid isPermaLink="false">http://www.citylightspodcast.com/?p=560</guid>
		<description><![CDATA[Judith Halberstam stopped by City Lights Bookstore on Thursday, November 3, 2011, to discuss her new book The Queer Art Of Failure (Duke University Press.) The Queer Art Of Failure is about finding alternatives—to conventional understandings of success in a heteronormative, capitalist society; to academic disciplines that confirm what is already known according to approved methods of [...]]]></description>
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<p><a href="http://www.citylightspodcast.com/wp-content/uploads/2011/11/halberstam_queer.jpg"><img class="size-full wp-image-561 alignleft" title="halberstam_queer" src="http://www.citylightspodcast.com/wp-content/uploads/2011/11/halberstam_queer.jpg" alt="" width="187" height="300" /></a><strong>Judith Halberstam</strong> stopped by City Lights Bookstore on Thursday, November 3, 2011, to discuss her new book <em><strong><a href="http://www.citylights.com/book/?GCOI=87286100756370" target="_blank">The Queer Art Of Failure</a></strong></em> (<a href="http://www.dukeupress.edu/" target="_blank">Duke University Press</a>.)</p>
</div>
<div><strong></strong><em>The Queer Art Of Failure</em> is about finding alternatives—to conventional understandings of success in a heteronormative, capitalist society; to academic disciplines that confirm what is already known according to approved methods of knowing; and to cultural criticism that claims to break new ground but cleaves to conventional archives. Judith Halberstam proposes &#8220;low theory&#8221; as a mode of thinking and writing that operates at many different levels at once. Low theory is derived from eccentric archives. It runs the risk of not being taken seriously. It entails a willingness to fail and to lose one&#8217;s way, to pursue difficult questions about complicity, and to find counterintuitive forms of resistance. Tacking back and forth between high theory and low theory, high culture and low culture, Halberstam looks for the unexpected and subversive in popular culture, avant-garde performance, and queer art. She pays particular attention to animated children&#8217;s films, revealing narratives filled with unexpected encounters between the childish, the transformative, and the queer. Failure sometimes offers more creative, cooperative, and surprising ways of being in the world, even as it forces us to face the dark side of life, love, and libido.</div>
<div>
<div>
<p><strong><br />
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<p><img class="  alignleft" src="http://www.citylights.com/html/WYSIWYGfiles/image/Jhalberstam.jpg" alt="" width="123" height="148" /></p>
<div><strong>Judith Halberstam</strong> is Professor of English, American Studies and Ethnicity, and Gender Studies at the University of Southern California. Halberstam is the author of <em>In a Queer Time and Place: Transgender Bodies</em>, <em>Subcultural Lives </em>(NYU Press), as well as <em>Female Masculinity</em> and <em>Skin Shows: Gothic Horror and the Technology of Monsters</em>, both also published by Duke University Press.</div>
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		<title>Alia Malek and Karen Korematsu discuss Patriot Acts: Narratives of Post 9/11 Injustice</title>
		<link>http://www.citylightspodcast.com/alia-malek-and-karen-korematsu-discuss-patriot-acts-narratives-of-post-911-injustice/</link>
		<comments>http://www.citylightspodcast.com/alia-malek-and-karen-korematsu-discuss-patriot-acts-narratives-of-post-911-injustice/#comments</comments>
		<pubDate>Thu, 20 Oct 2011 20:30:47 +0000</pubDate>
		<dc:creator>jeff</dc:creator>
				<category><![CDATA[Muckraking]]></category>
		<category><![CDATA[Nonfiction]]></category>
		<category><![CDATA[Radical History]]></category>

		<guid isPermaLink="false">http://www.citylightspodcast.com/?p=373</guid>
		<description><![CDATA[On September 20th, 2011, City Lights welcomed Alia Malek and Karen Korematsu to discuss the new book: Patriot Acts: Narratives of Post-9/11 Injustice published by Voices of Witness (a nonprofit division of McSweeney&#8217;s Books). A groundbreaking collection of oral histories, Patriot Acts tells the stories of men and women who have been needlessly swept up in the [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_374" class="wp-caption alignleft" style="width: 209px"><a href="http://www.citylightspodcast.com/wp-content/uploads/2011/10/alia-malek-karen-korematsu.jpg"><img class="size-full wp-image-374" title="alia malek karen korematsu" src="http://www.citylightspodcast.com/wp-content/uploads/2011/10/alia-malek-karen-korematsu.jpg" alt="" width="199" height="300" /></a><p class="wp-caption-text">Editor Alia Malek in conversation with Karen Korematsu</p></div>
<p>On September 20th, 2011, City Lights welcomed <strong>Alia Malek </strong>and<strong> Karen Korematsu</strong> to discuss the new book:<strong><em> <a href="http://www.citylights.com/book/?GCOI=87286100056730" target="_blank">Patriot Acts: Narratives of Post-9/11 Injustice</a></em></strong> published by Voices of Witness (a nonprofit division of McSweeney&#8217;s Books).</p>
<p>A groundbreaking collection of oral histories, <em>Patriot Acts </em>tells the stories of men and women who have been needlessly swept up in the War on Terror. In their own words, narrators recount personal experiences of the post-9/11 backlash that have deeply altered their lives and communities. The eighth book in the Voice of Witness series, <em>Patriot Acts </em>illuminates these experiences in a compelling collection of eighteen oral histories from men and women who have found themselves subject to a wide range of human and civil rights abuses—from rendition and torture, to workplace discrimination, bullying, FBI surveillance and harassment.</p>
<p><strong>Alia Malek </strong>is an author and a civil rights lawyer. Born in Baltimore to Syrian immigrant parents, her reportage has appeared in <em>The New York Times</em>, <em>The Nation</em>, <em>Salon</em>, <em>The Christian Science Monitor</em>, <em>The Columbia Journalism Review</em>, and <em>WashingtonPost.com</em>. Her first book was <em>A Country Called Amreeka</em>.</p>
<p><strong>Karen Korematsu</strong> is the founder of the Fred Korematsu Civil Rights Fund, sponsored by ALC. She is the daughter of Fred Korematsu, who challenged the internment orders during WWII. Mrs. Korematsu-Haigh shares her father’s passion for social justice and continues to help support the new Korematsu Institute for Civil Rights and Education at the Asian Law Caucus in development and outreach.</p>
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		<title>Clarence Lusane reads from The Black History of the White House</title>
		<link>http://www.citylightspodcast.com/clarence-lusane-reads-from-the-black-history-of-the-white-house/</link>
		<comments>http://www.citylightspodcast.com/clarence-lusane-reads-from-the-black-history-of-the-white-house/#comments</comments>
		<pubDate>Thu, 13 Oct 2011 21:19:07 +0000</pubDate>
		<dc:creator>Dia</dc:creator>
				<category><![CDATA[Critical Studies]]></category>
		<category><![CDATA[Nonfiction]]></category>
		<category><![CDATA[Radical History]]></category>

		<guid isPermaLink="false">http://www.citylightspodcast.com/?p=296</guid>
		<description><![CDATA[On January 20th, 2011, City Lights welcomed Clarence Lusane reading from and discussing his latest book, The Black History of the White House. About The Black History of the White House: Official histories of the United States have ignored the fact that 25 percent of all U.S. presidents were slaveholders, and that black people were held [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_343" class="wp-caption alignleft" style="width: 227px"><a href="http://www.citylightspodcast.com/wp-content/uploads/2011/10/lusane.jpg"><img class="size-full wp-image-343" title="Clarence Lusane" src="http://www.citylightspodcast.com/wp-content/uploads/2011/10/lusane.jpg" alt="" width="217" height="300" /></a><p class="wp-caption-text">Clarence Lusane reads from The Black History of the White House</p></div>
<p>On January 20th, 2011, City Lights welcomed <strong>Clarence Lusane</strong> reading from and discussing his latest book, <em><a href="http://www.citylights.com/book/?GCOI=87286100744980" target="_blank">The Black History of the White House</a></em>.</p>
<p>About <em><a href="http://www.citylights.com/book/?GCOI=87286100744980" target="_blank">The Black History of the White House:</a></em></p>
<p>Official histories of the United States have ignored the fact that 25 percent of all U.S. presidents were slaveholders, and that black people were held in bondage in the White House itself. And while the nation was born under the banner of &#8220;freedom and justice for all,&#8221; many colonists risked rebelling against England in order to protect their lucrative slave business from the growing threat of British abolitionism. These historical facts, commonly excluded from schoolbooks and popular versions of American history, have profoundly shaped the course of race relations in the United States.</p>
<p>In this unprecedented work, Lusane presents a comprehensive history of the White House from an African American perspective, illuminating the central role it has played in advancing, thwarting or simply ignoring efforts to achieve equal rights for all. Here are the stories of those who were forced to work on the construction of the mansion at 1600 Pennsylvania Avenue and the determined leaders who pressured U.S. presidents to outlaw slavery, White House slaves and servants who went on to write books, Secret Service agents harassed by racist peers, Washington insiders who rose to the highest levels of power, the black artists and intellectuals invited to the White House, community leaders who waged presidential campaigns, and many others. Juxtaposing significant events in White House history with the ongoing struggle for civil rights, Clarence Lusane makes plain that the White House has always been a prism through which to view the social struggles and progress of black Americans.</p>
<p><strong>Clarence Lusane</strong> is an Associate Professor of Political Science in the School of International Service at American University where he teaches and researches on international human rights, comparative race relations, social movements and electoral politics.</p>
<p>He is also an author, activist, scholar, lecturer, and journalist. For more than 30 years, he has written about and been active in national and international anti-racism politics, globalization, U.S. foreign policy, human rights and social issues such as education and drug policy. He has spent two years living in London conducting research on racism and human rights in Europe, and working with European institutions and NGOs.</p>
<p>His previous books include, <em>Colin Powell and Condoleeza Rice: Foreign Policy, Race, and the New American Century,;</em> <em>Hitler&#8217;s Black Victims: The Experiences of Afro-Germans, Africans, Afro-Europeans and African Americans During the Nazi Era</em>; <em>Race in the Global Era: African Americans at the Millennium</em>; <em>No Easy Victories: A History of Black Elected Officials</em>; <em>African Americans at the Crossroads: The Restructuring of Black Leadership and the 1992 Elections</em>; <em>The Struggle for Equal Education</em>; and <em>Pipe Dream Blues: Racism and the War on Drugs</em>.</p>
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		<title>John Gibler reads from To Die in Mexico: Dispatches from Inside the Drug War</title>
		<link>http://www.citylightspodcast.com/john-gibler-reads-from-to-die-in-mexico-dispatches-from-inside-the-drug-war/</link>
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		<pubDate>Tue, 11 Oct 2011 17:03:27 +0000</pubDate>
		<dc:creator>Dia</dc:creator>
				<category><![CDATA[Critical Studies]]></category>
		<category><![CDATA[Muckraking]]></category>
		<category><![CDATA[Nonfiction]]></category>
		<category><![CDATA[Radical History]]></category>

		<guid isPermaLink="false">http://www.citylightspodcast.com/?p=321</guid>
		<description><![CDATA[In conjunction with Global Exchange, John Gibler visited City Lights Bookstore on June 15th, 2011 to read and talk about his new book, To Die in Mexico: Dispatches from Inside the Drug War. Combining on the ground reporting and in-depth discussions with people on the front lines of Mexico&#8217;s drug war, To Die in Mexico tells behind-the [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_336" class="wp-caption alignleft" style="width: 224px"><a href="http://www.citylightspodcast.com/wp-content/uploads/2011/10/johngibler.jpg"><img class="size-full wp-image-336" title="John Gibler" src="http://www.citylightspodcast.com/wp-content/uploads/2011/10/johngibler.jpg" alt="" width="214" height="300" /></a><p class="wp-caption-text">John Gibler reads from To Die in Mexico: Dispatches from Inside the Drug War</p></div>
<p>In conjunction with Global Exchange, <strong>John Gibler</strong> visited City Lights Bookstore on June 15th, 2011 to read and talk about his new book, <em><a href="http://www.citylights.com/book/?GCOI=87286100442200" target="_blank">To Die in Mexico: Dispatches from Inside the Drug War</a></em>.</p>
<p>Combining on the ground reporting and in-depth discussions with people on the front lines of Mexico&#8217;s drug war, <em>To Die in Mexico</em> tells behind-the scenes-stories that address the causes and consequences of Mexico&#8217;s multi-billion-dollar drug-trafficking business.</p>
<p>Gibler tells the hair raising stories of a Mexican journalist kidnapped, interrogated and threatened with death by the Gulf Cartel before being miraculously released; family members of people killed in the conflict; survivors of assassination attempts and massacres; along with crime-beat photographers, funeral parlor workers, government officials, convicted traffickers, cab drivers and others who find themselves working against, with, or for the drug cartels.</p>
<p>Gibler sees beyond the cops-and-robbers myths that pervade government and media portrayals of the unprecedented wave of violence and looks to the people of Mexico for solutions to the crisis now pushing Mexico to the breaking point.<br />
<strong><br />
John Gibler </strong>is a writer based in Mexico and California, the author of <em><a title="Mexico Unconquered" href="http://http://www.citylights.com/book/?GCOI=87286100442200&amp;fa=description" target="_blank">Mexico Unconquered: Chronicles of Power and Revolt</a> </em>(City Lights Books, 2009), and a contributor to <em>País de muertos</em><em>: Crónicas contra la impunidad</em> (Random House Mondadori, 2011). He is a correspondent for KPFA in San Francisco and has published in magazines in the United States and Mexico, including <em>Left Turn</em>, <em>Z Magazine</em>, <em>Earth Island Journal</em>, <em>ColorLines</em>, <em>Race, Poverty, and the Environment</em>, <em>Fifth Estate</em>, <em>New Politics</em>, <em>In These Times</em>, <em>Yes! Magazine</em>,<em> Contralínea</em>, and<em> Milenio Semanal</em>.</p>
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		<title>Bukowski scholar David Stephen Calonne reads from More Notes of a Dirty Old Man</title>
		<link>http://www.citylightspodcast.com/bukowski-scholar-david-stephen-calonne-reads-from-more-notes-of-a-dirty-old-man/</link>
		<comments>http://www.citylightspodcast.com/bukowski-scholar-david-stephen-calonne-reads-from-more-notes-of-a-dirty-old-man/#comments</comments>
		<pubDate>Thu, 06 Oct 2011 22:56:03 +0000</pubDate>
		<dc:creator>jeff</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Nonfiction]]></category>

		<guid isPermaLink="false">http://www.citylightspodcast.com/?p=327</guid>
		<description><![CDATA[David Stephen Calonne stopped by City Lights Bookstore on September 8th to read from the third collection of Charles Bukowski&#8217;s writings, More Notes of a Dirty Old Man. After toiling in obscurity for years, Charles Bukowski found fame in 1967 with his autobiographical newspaper column, &#8220;Notes of a Dirty Old Man,&#8221; and a book of that [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_329" class="wp-caption alignleft" style="width: 216px"><a href="http://www.citylightspodcast.com/wp-content/uploads/2011/10/MoreNotesofaDirtyOldMan.jpg"><img class="size-full wp-image-329" title="MoreNotesofaDirtyOldMan" src="http://www.citylightspodcast.com/wp-content/uploads/2011/10/MoreNotesofaDirtyOldMan.jpg" alt="" width="206" height="300" /></a><p class="wp-caption-text">More Notes of a Dirty Old Man, edited by Bukowski scholar David Stephen Calonne</p></div>
<p><strong>David Stephen Calonne</strong> stopped by City Lights Bookstore on September 8th to read from the third collection of <strong>Charles Bukowski&#8217;s</strong> writings, <em><a href="http://www.citylights.com/book/?GCOI=87286100906740" target="_blank">More </a></em><em><a href="http://www.citylights.com/book/?GCOI=87286100906740" target="_blank">Notes of a Dirty Old Man</a>. </em></p>
<p><em></em>After toiling in obscurity for years, Charles Bukowski found fame in 1967 with his autobiographical newspaper column, &#8220;Notes of a Dirty Old Man,&#8221; and a book of that name in 1969. He continued writing this column, from its inception in <em>Open City</em> to its conclusion in <em>High Times</em>, through the mid-1980s.</p>
<p>This new collection gathers many uncollected gems from the column&#8217;s 20-year run. These stories and essays haven&#8217;t been seen in decades, making <em>More</em> a valuable addition to Bukowski&#8217;s oeuvre. Filled with his usual obsessions&#8211;sex, booze, gambling&#8211;<em>More</em> features Bukowski&#8217;s offbeat insights into politics and literature, his tortured relationships with women, and his lurid escapades on the poetry circuit. Highlighting his versatility, the book ranges from thinly veiled autobiography to fictional tales of dysfunctional suburbanites, disgraced politicians, and down-and-out sports promoters, climaxing with a long, hilarious adventure among French filmmakers, &#8220;My Friend The Gambler,&#8221; based on his experiences making the movie, <em>Barfly</em>. From his days at the post office through his later fame, <em>More</em> follows the entire arc of Bukowski&#8217;s career.</p>
<p>Edited by Bukowski scholar David Stephen Calonne, <em>More Notes of a Dirty Old Man </em>features an afterword outlining the history of the column and its effect on the author&#8217;s creative development.</p>
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		<title>Daniel Ellsberg on Zinn, Wikileaks &amp; the atomic bomb</title>
		<link>http://www.citylightspodcast.com/daniel-ellsberg-on-zinn-wikileaks-the-atomic-bomb/</link>
		<comments>http://www.citylightspodcast.com/daniel-ellsberg-on-zinn-wikileaks-the-atomic-bomb/#comments</comments>
		<pubDate>Tue, 02 Nov 2010 17:30:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Muckraking]]></category>
		<category><![CDATA[Nonfiction]]></category>
		<category><![CDATA[Radical History]]></category>

		<guid isPermaLink="false">http://www.citylightspodcast.com/?p=261</guid>
		<description><![CDATA[Daniel Ellsberg, legendary whistleblower and the man responsible for releasing the top secret &#8220;Pentagon Papers,&#8221; discusses Howard Zinn&#8217;s recently released &#8220;The Bomb,&#8221; published by City Lights. As an active WWII bombardier returning from the end of the war in Europe and preparing for combat in Japan, Howard Zinn read the headline &#8220;Atomic Bomb Dropped on [...]]]></description>
			<content:encoded><![CDATA[<div class="wp-caption alignleft" style="width: 235px"><img class=" " style="border: 1px solid black; margin: 5px;" title="Daniel Ellsberg" src="http://www.ellsberg.net/wp-content/uploads/2008/07/DEllsberg1874-225x300.jpg" alt="" width="225" height="300" /><p class="wp-caption-text">Credit: Ellsberg.net</p></div>
<p>Daniel Ellsberg, legendary whistleblower and the man responsible for releasing the top secret &#8220;Pentagon Papers,&#8221; discusses Howard Zinn&#8217;s recently released &#8220;The Bomb,&#8221; published by City Lights.</p>
<p>As an active WWII bombardier returning from the end of the war in  Europe and preparing for combat in Japan, Howard Zinn read the headline  &#8220;Atomic Bomb Dropped on Japan&#8221; and was glad—<em>the war would be over</em>.  &#8220;Like other Americans,&#8221; writes Zinn, &#8220;I had no idea what was going on  at the higher levels, and had no idea what that &#8216;atomic bomb&#8217; had done  to men, women, children in Hiroshima, any more than I ever really  understood what the bombs I dropped on European cities were doing to  human flesh and blood.&#8221; During the war, Zinn had taken part in the  aerial bombing of Royan, France, and in 1966, he went to Hiroshima,  where he was invited to a &#8220;house of rest&#8221; where survivors of the bombing  gathered. In this short and powerful book, the backstory of the making  and use of the bomb, Zinn offers his deep personal reflections and  political analysis of these events, and the profound influence they had  in transforming him from an order-taking combat soldier to one of our  greatest anti-authoritarian, anti-war historians.</p>
<p>Simultaneous  publication this August in the U.S. and Japan commemorates the 65th  anniversary of the USA&#8217;s two atomic bombings of Japan by calling for the  abolition of all nuclear weapons and an end to war as an acceptable  solution to human conflict.</p>
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		<title>Daniel Alarcón on the alchemy of writing fiction</title>
		<link>http://www.citylightspodcast.com/daniel-alarcon-on-the-alchemy-of-writing-fiction/</link>
		<comments>http://www.citylightspodcast.com/daniel-alarcon-on-the-alchemy-of-writing-fiction/#comments</comments>
		<pubDate>Fri, 15 Oct 2010 17:00:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Critical Studies]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Nonfiction]]></category>

		<guid isPermaLink="false">http://www.citylightspodcast.com/?p=254</guid>
		<description><![CDATA[&#160; &#160; Daniel Alarcón brings together the world&#8217;s best contemporary writers—from Michael Chabon and Claire Messud to Jonathan Lethem and Amy Tan—engage in a wide-ranging, insightful, and often surprising roundtable discussion on the art of writing fiction. Drawing back the curtain on the mysterious process of writing novels, The Secret Miracle brings together the foremost [...]]]></description>
			<content:encoded><![CDATA[<p>&nbsp;</p>
<p>&nbsp;</p>
<div id="attachment_683" class="wp-caption alignleft" style="width: 310px"><a href="http://www.citylightspodcast.com/wp-content/uploads/2010/10/alarcon.jpg"><img class="size-medium wp-image-683" title="alarcon" src="http://www.citylightspodcast.com/wp-content/uploads/2010/10/alarcon-300x199.jpg" alt="" width="300" height="199" /></a><p class="wp-caption-text">Daniel Alarcón</p></div>
<p>Daniel Alarcón brings together the world&#8217;s best contemporary writers—from Michael Chabon and Claire Messud to Jonathan Lethem and Amy Tan—engage in a wide-ranging, insightful, and often surprising roundtable discussion on the art of writing fiction. Drawing back the curtain on the mysterious process of writing novels, The Secret Miracle brings together the foremost practitioners of the craft to discuss how they write. Literary stars like Paul Auster, Roddy Doyle, Allegra Goodman, Aleksandar Hemon, Mario Vargas Llosa, Susan Minot, Rick Moody, Haruki Murakami, George Pelecanos, Gary Shteyngart, and others take us step by step through the alchemy of writing fiction, answering everything from nuts-and bolts queries—&#8221;Do you outline?&#8221;—to perennial questions posed by writers and readers alike: &#8220;What makes a character compelling?&#8221;</p>
<p>Daniel Alarcón is the author of Lost City Radio, which was named a 2007 Best Book by the Los Angeles Times, The Washington Post, the San Francisco Chronicle, and others. He lives in Oakland, CA.</p>
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