Carey Perloff and Joshua Mohr

http://www.citylights.com/Resources/titles/87286100775260/Images/87286100775260L.jpgCo-presented by Litquake, and with a introduction from City Light’s publisher and executive director Elaine Katzenberger, City Lights welcomes Carey Perloff, the Artistic Director of A.C.T. to discuss Beautiful Chaos: A Life in the Theater (published by the City Lights Foundation). Beautiful Chaos was chosen by the San Francisco Public Library as their One City One Book selection for Fall 2016! Carey is interviewed by novelist Joshua Mohr, whose most recent book is All This Life.
Perloff pens a lively and revealing memoir of her twenty-plus years at the helm, and delivers a provocative and impassioned manifesto for the role of live theater in today’shttp://www.citylights.com/resources/persons/17050.gif technology-infused world.

Perloff’s personal and professional journey—her life as a woman in a male-dominated profession, as a wife and mother, a playwright, director, producer, arts advocate, and citizen in a city erupting with enormous change—is a compelling, entertaining story for anyone interested in how theater gets made. She offers a behind-the-scenes perspective, including her intimate working experiences with well-known actors, directors, and writers including Tom Stoppard, Harold Pinter, Robert Wilson, David Strathairn, and Olympia Dukakis.

Whether reminiscing about her turbulent first years as a young woman taking over an insolvent theater in crisis and transforming it into a thriving, world-class performance space, or ruminating on the potential for its future, Perloff takes on critical questions about arts education, cultural literacy, gender disparity, leadership and power.

Justin Chin Tribute

City Lighhttp://www.citylights.com/Resources/titles/87286100047050/Images/87286100047050L.jpgts Booksellers celebrates the release of Justin Chin: Selected Works hosted by Jennifer Joseph with readings and remembrances by Kevin Killian, Rabih Alameddine, Henry Machtay, Larry-Bob Roberts, Thea Hillman, Maw Shein Win, Alvin Orloff , and Daphne Gottlieb.

Justin Chin’s fearless and fierce voice was resolute in relating his worldview, whether directly or through metaphorical language. As a queer Asian American, born and raised in Southeast Asia within a devoutly Christian, ethnically Chinese family of medical professionals, Chin’s early life experience informed his writing and framed his point of view. In his literary works, the seemingly conflicted duality of existence is paramount: sacred and profane, saints and sinners, health and illness, hope and despair, life and death. His works also explore his experience of living with HIV, which progressed into AIDS in his final years.

This unique collection of Chin’s literary legacy will serve as both a primer for those new to his works, as well as a loving tribute by those writers who knew him and his work best. Notable literary figures pay tribute to the poet/writer with personal commentaries on works selected from his seven books.

Among many others, contributing writers include R. Zamora Linmark (Rolling the R’s), Michelle Tea (How To Grow Up), Timothy Liu (Don’t Go Back To Sleep), and Lois-Ann Yamanaka (Night at the Pahala Theatre).http://www.citylights.com/html/WYSIWYGfiles/images/JustinChin.jpg

Justin Chin (1969-2015) was the award-winning author of four poetry books, two essay collections, one book each of short fiction, and text-based performance art works. His writing appeared in literary magazines, including Beloit Poetry Journal, and anthologies, including American Poetry: The Next Generation (Carnegie Mellon). He taught at UC Santa Cruz and at San Francisco State University. He was a recipient of fellowships and grants from the California Arts Council, Djerassi Foundation, Franklin Furnace Fund, PEN American Center, and PEN Center USA West, among others.

 

Tony Serra 2

City Lights hosts Tony Serra as he celebrates the release of his debut novel, The Scaffold: A Treason Death Penalty Trial, published by Grizzly Peak Press.

Beginning with an outline as a young lawyer around 1960 and finally completed in prison as a tax resister, 50 or so years later, J. Tony Serra presents his first novel, The Scaffold: A Treason Death Penalty Trial. The story takes  place during the Second World War in the South Pacific with U.S. P.T. Boats and Japanese zero attack planes juxtaposed against an island paradise. At the center is a court martial trial filled with Serra’s legal career experiences but also an example of life as absurdity. All aspects of living are viewed as metaphors of absurdity. Intellectual discourse is explored as an expression of the Theater of the Absurd. The message is: war is absurd; treason is absurd; the death penalty is absurd and platonic love is humanity’s only redemption.

A native son of San Francisco, Tony Serra has dedicated his life to defending society’s outcasts.  After hearing a Philosophy degree from Stanford University, Serra went on to graduate from UC Berkeley’s Boalt Hall School of Law in the 1960s, an era he calls “the golden age of law.”  In his more than 45 years of practice, Serra has helmed a number of noteworthy cases, including Huey Newton, Bear Lincoln, Chol Soo Lee, the Hell’s Angels, Hooty Croy, the Symbionese Liberation Army, the White Panthers, Bari & Cherney v. FBI and more. Serra has been honored with awards from, among others, NORML, ACLU, American Lawyer Magazine, San Francisco Board of Supervisors and Trial Lawyers for Public Justice. Although he has been admitted to practice in 45 separate federal and state jurisdictions in 28 different states, Serra still calls San Francisco home. His first two books are Walking The Circle and Tony Serra published by Grizzly Peak Press.

Shobha Rao

Shobha Rao comes to City Lights to celebrate the release of her short story collection, An Unrestored Woman, published by Flatiron Books.

shobhaunrestoredThe twelve paired stories in Shobha Rao’s An Unrestored Woman trace their origins to the formation of India and Pakistan in 1947, but they transcend that historical moment. A young woman in a crushingly loveless marriage seizes freedom in the only way left to her; a mother is forced to confront a chilling, unforgiveable crime she committed out of love; an ambitious servant seduces both master and mistress; a young prostitute quietly, inexorably plots revenge on the madam who holds her hostage; a husband and wife must forgive each other for the death of their child. Caught in extreme states of tension, in a world of shifting borders, of instability, Rao’s characters must rely on their own wits. When Partition established Pakistan and India as sovereign states, the new boundary resulted in a colossal transfer of people, the largest peacetime migration in human history. This mass displacement echoes throughout Rao’s story couplets, which range across the twentieth century, moving beyond the subcontinent to Europe and America. Told with dark humor and ravaging beauty, An Unrestored Woman unleashes a fearless new voice on the literary scene.Shoba

Shobha Rao moved to the U.S. from India at the age of seven. She is the winner of the 2014 Katherine Anne Porter Prize in Fiction, awarded by Nimrod International Journal. She has been a resident at Hedgebrook and is the recipient of the Elizabeth George Foundation fellowship. Her story “Kavitha and Mustafa” was chosen by T.C. Boyle for inclusion in the Best American Short Stories 2015. She lives in San Francisco.

Wes “Scoop” Nisker

Wes “Scoop” Nisker came to City Lights to celebrate the release of his latest book, You Are Not Your Fault And Other Revelations, published by Soft Skull Press.

 

In You Are Not Your Fault and Other Revelations, Wes draws on his diverse experiences delivering a collection that brims with the insight, humor and wisdom he is famous for.

Compiled for the first time, Wes’ best-known essays as well as a selection of recent and never before published work, Wes takes readers on both a cultural journey (a tour through the sixties, through the modern

environmental movement, the surge of Buddhism to the West) and a more personal one, exploring the motivation behind humanity’s search for spiritual enlightenment.

WES “SCOOP” NISKER is an award-winning broadcast journalist and commentator, a renowned Buddhist meditation teacher, a best selling author and a captivating performer. He is the author of the enduring classic Crazy Wisdom and the widely acclaimed Buddha’s Nature, and the editor of the Buddhist journal Inquiring Mind. An enduring San Francisco celebrity, having been on Bay Area radio for more than twenty-five years, Nisker is a teacher of Buddhist meditation and philosophy, and is located prominently in the group of our country’s most influential voices of spiritual transformation. He lives in Berkeley.

Elizabeth Percer

City Lights welcomed Elizabeth Percer to celebrate the release of her novel, All Stories Are Love Stories, published by HarperCollins.

percer2All Stories Are Love Stories follows a group of survivors thrown together in the aftermath of two major earthquakes that strike San Francisco within an hour of each other. Among the survivors are a motley crew of about a dozen individuals who have found shelter in the auditorium of the Nob Hill Masonic and Performing Arts Center.

There is Max, who is still haunted by an abandonment long ago; Vashti, who has lost several people in her life…but she can’t stop thinking about one in particular: Max, the one who got away; and Gene, a geologist from Stanford who knows too much about the earthquakes happening around them. As the night goes on, and fires begin around the city, Max and Vashti, trapped in the Masonic Temple, have to finally confront each other while Gene embarks on a frantic search around the city to find his partner, Franklin, who isn’t answering the phone. By morning nothing will look the same. A beautiful, lyrical novel about the power of nature, the resilience of survival, and most importantly, love.

Percer

Elizabeth Percer is the author of An Uncommon Education. Her poetry has been published widely, and she has been twice honored by the Dorothy Sargent Rosenberg Foundation and nominated three times for the Pushcart Prize. She received a B.A. in English from Wellesley, a Ph.D. in arts education from Stanford University, and completed a postdoctoral fellowship for the National Writing Project at Berkeley. Percer’s academic publications on art, the education of the imagination, and writing have been published and presented internationally. She lives in California.

Jonathan Lee

Jonathan Lee comes to City Lights to celebrate the release of his novel, High Dive. He is joined by author Colin Winnette in this event co-sponsored by Electric Literature.

In September 1984, a bomb was planted in the Grand Hotel in Brighton, England, set to explode on the day Margaret Thatcher and her entire cabinet would be staying there. High Dive takes us inside this audacious assassination attempt, and also into the hearts and minds of a group of unforgettable characters. Nimbly weaving together fact and fiction, comedy and tragedy, the story switches among the perspectives of Dan, a young IRA bomb maker; Moose, a former star athlete gone to seed, now the career-minded deputy hotel manager; and Freya, his teenage daughter, trying to decide what comes after high school. A novel of laughter and heartbreak, this is an indelible portrait of clashing loyalties, doubt, guilt, and regret, and of how individuals become the grist of history.

 

Jonathan Lee is a British writer whose recent short stories have appeared in Tin House, Granta, and Narrative, among other magazines. High Dive is his first novel to be published in the U.S. He lives in Brooklyn, where he is an editor at the literary journal A Public Space, a contributing editor for Guernica, and a regular contributor to The Paris Review Daily.

 

Colin Winnette is the author of several books, most recently, Haints Stay (Two Dollar Radio) and the SPD best seller COYOTE. He is the associate editor at PANK magazine. His writing has appeared in the Los Angeles Review of Books, the Believer, Lucky Peach, and numerous other publications. He lives in San Francisco.

Electric Literature is an independent publisher whose mission is to guide writers and readers through a rapidly evolving publishing landscape. By embracing new technologies and mixed media, collaborating with other publishers, and engaging the literary community online and in-person, Electric Literature aims to support writers while broadening the audience of literary fiction, and ensure that literature remains a vibrant presence in popular culture.”

Jack Hirschman & Mahnaz Badihian

City Lights hosts Jack Hirschman and Mahnaz Badihian for a bilingual reading of the love poems of Rumi, in Farsi and in English.

JackHirschmanJack Hirschman is the former poet Laureate of San Francisco, a translator, and editor. His powerfully eloquent voice has set the tone for political poetry in the US for decades. Since leaving a teaching career in the ’60s, Hirschman has taken the free exchange of poetry and politics into the streets where he is, in the words of poet Luke Breit, “America’s most important living poet.” He is the author of numerous books of poetry, plus some 45 translations from a half a dozen languages, as well as the editor of anthologies and journals. Among his many volumes of poetry are All That’s Left, Frontlines, Endless Threshold, The Xibalba Arcane, and Lyripol (City Lights, 1976). Hirschman is a founding member of the Revolutionary Poets Brigade of San Francisco (RPB,2009), World Poetry Movement (WPM, Medellin, Colombia, 2011), and Member of the League of Revolutionaries for a New America (LRNA).

MahnazMahnaz Badihian is an Iranian born poet and translator whose work has been published into several languages worldwide, including Persian, Turkish, Italian, and Malayalam. She attended the Iowa Writer’s workshop with a focus on international poetry while practicing as a dentist in Iowa City. Her publications include two volumes of poetry in Persian and a best-selling translation of Pablo Neruda’s Book of Questions into Persian. Her first English language book is a critically acclaimed book of original English language poetry, From Zayandeh Rud to the Mississippi. She has an awarding winning selection of poetry (XIV Premio Letterario Internazionale Trofeo Penna d’Autore, Tornio) translated into Italian by Cristina Contili and Pirooz Ebrahimi. Currently, she resides in Northern California where she runs an online multilingual literary magazine, MahMag.org, in an effort to bring the poetry of the world together.

Greg Jackson

Greg Jackson was at City Lights to celebrating the release of Prodigals: Stories, published by Farrar, Straus, and Giroux, with a reading and a discussion.

Prodigals“People are bullets, fired,” the narrator declares in one of the desperate, eerie stories that make up Greg Jackson’s Prodigals. He’s fleeing New York, with a woman who may be his therapist, as a storm bears down. Self-knowledge here is no safeguard against self-sabotage. A banker sees his artistic ambitions laid bare when he comes under the influence of two strange sisters. A midlife divorcée escapes to her seaside cottage only to find a girl living in it. A journalist is either the guest or the captive of a former tennis star at his country mansion in the Auvergne.

Jackson’s sharp debut drills into the spiritual longing of today’s privileged elite. Adrift in lives of trumpeted possibility and hidden limitation, in thrall to secondhand notions of success, the flawed, sympathetic, struggling characters in these stories seek refuge from meaninglessness in love, art, drugs, and sex. Unflinching, funny, and profound, Prodigals maps the degradations of contemporary life with unusual insight and passion–from the obsession with celebrity, to the psychological debts of privilege, to the impotence of violence, to the loss of grand narratives.

Prodigals is a fiercely honest and heartfelt look at what we have become, at the comedy of our foibles and the pathos of our longing for home.

GregJacksonGreg Jackson grew up in Boston and coastal Maine. His work has appeared in The New Yorker, the Virginia Quarterly Review, and Granta. He is a graduate of the MFA program at the University of Virginia and has been a Fiction Fellow at the Fine Arts Work Center and a resident at the MacDowell Colony and the Virginia Center for the Creative Arts. A winner of the Balch and Henfield prizes, he was a finalist for the 2014 National Magazine Award in Fiction. Prodigals is his first book.

Leonard Pitt

Leonard Pitt comes to City Lights to celebrate the release of his latest book, My Brain on Fire: Paris and Other Obsessions, published by Soft Skull Press.

This is Leonard Pitt’s story of growing up the misfit in Detroit in the 1940s and my-brain-on-fire50s. In a later age he would have been put on Ritalin and paraded before psychiatrists because he couldn’t pay attention in school. In 1962, at the end of a misguided foray towards a career in advertising he took the ultimate cure, a trip to Paris. He thought it would only be a visit. He stayed seven years. There in the City of Light, Leonard’s mind exploded. And it hasn’t stopped since.

Studying mime with master Etienne Decroux and living in Paris were the university he never knew. This inspiration unleashed a voracious appetite to understand the “why” of things. He asked a simple question, “Why did the ballet go up?” While building a theatre career performing and teaching, he embarked on a quest to study the origins of the ballet, the history of early American popular music, the pre-Socratic philosophers, early modern science, the European witch hunt, the history of Paris, and more. To his unschooled mind it all fits together. Who would see a historical arc between Louis XIV and Elvis Presley? Leonard does. And he’ll tell you about it.

Pitt-Leonard1

 

Leonard Pitt is an actor and author. He has written two books on Paris, Walks Through Lost Paris and Paris Postcards: The Golden Age, plus A Small Moment of Great Illumination, about the life of 17th century healer, Valentine Greatrakes. He currently co-directs The Flying Actor Studio, a conservatory for the study of physical theater located in San Francisco. He has performed and taught around the world and lives in Berkeley, California.

Joyce Carol Oates 2

National Book Award-winning and bestselling author Joyce Carol Oates was at City Lights discussng her latest novel, the critically acclaimed The Man Without a Shadow. In this recording, Joyce Carol Oates also conducts an interview with herself as both questioner and respondent.

This book examines the intimate, illicit relationship between neuroscientist Margot Sharpe and Elihu 87286100622230LHoopes—the “man without a shadow”—whose devastated memory, unable to store new experiences or to retrieve the old, will make him the most famous and most studied amnesiac in history. Their thirty-year relationship, both as scientist and subject and as objects of love, is an exploration of the labyrinthine mysteries of the human brain. Where does “memory” reside? Where is “love”? Is it possible to love an individual who cannot love you, who cannot “remember” you from one meeting to the next?

Jewelle Gomez

Award-winning author Jewelle Gomez returns to City Lights in honor of the Expanded 25th Anniversary Edition of her novel The Gilda Stories, recently published by City Lights. She read from the book in the main room.gilda_cover_full

This remarkable novel begins in 1850s Louisiana, where Gilda escapes slavery and learns about freedom while working in a brothel. After being initiated into eternal life as one who “shares the blood” by two women there, Gilda spends the next 200 years searching for a place to call home. An instant lesbian classic when it was first published in 1991, The Gilda Stories has endured as an auspiciously prescient book in its explorations of blackness, radical ecology, redefinitions of family, and yes, the erotic potential of the vampire story.

 

Reverend Billy

Reverend Billy Talen makes a visit to City Lights once again to speak about his new book titled The Earth Wants You. With the perfect blend of conviction and humor, the radical reverend offers an insightful critique of commercialism and its environmental impacts in the form of short monol 87286100270160Logues and sermons.

Reverend Billy and his choir of singing-activists are on the front lines of creative direct action, and here they offer up a distillation of the passion, the inspiration, and the hopes for love and survival that fuel their work. In a mix of essays, polemics, surrealist scenarios and news flashes from the frontlines, Reverend Billy answers the question, “What are we to do?” with a resounding chorus of “Take Action NOW!

*Simultaneous to the publication of this book is the album, fittingly called The Earth Wants You. The fourth official release from Reverend Billy and the Stop Shopping Choir, the eleven tracks on the record play like a joyful mission statement writ large: songs about climate change, revolution, empowerment, and community, reformist hymns sung by a disparate group of people all brought together by one common purpose.

 

 

Homero Aridjis

Accompanied by his translator (and daughter) Chloe Aridjis, Mexican poet and activist Homero Aridjis makes another appearance at City Lights, this time to read from and answer questions on his latest book The Child Poet. 87286100983630L

Homero Aridjis has always said that he was born twice. The first time was to his mother in April 1940 and the second time was as a poet, in January 1951. His life was distinctly cleaved in two by an accident. Before that fateful Saturday he was carefree and confident, the youngest of five brothers growing up in the small Mexican village of Contepec, Michoacán. After the accident – in which he nearly died on the operating table after shooting himself with a shotgun his brothers had left propped against the bedroom wall – he became a shy, introspective child who spent afternoons reading Homer and writing poems and stories at the dining room table instead of playing soccer with his classmates. After the accident his early childhood became like a locked garden. But in 1971, when his wife became pregnant with their first daughter, the memories found a way out. Visions from this elusive period started coming back to him in astonishingly vivid dreams, giving shape to what would become The Child Poet.

Aridjis is joyously imaginative. The Child Poet has urgency but still takes its time, celebrating images and feelings and the strangeness of childhood. Readers will love being in the world he has created. Aridjis paints the pueblo of Cotepec — the landscape, the campesinos, the Church, the legacy of the Mexican Revolution — through the eyes of a sensitive child.

David Stephen Calonne on Charles Bukowski

Editor David Stephen Calonne joins City Lights to celebrate the release of The Bell Tolls for No One, a book of previously uncollectTheBelled pulp fiction by everyone’s favorite dirty old man, Charles Bukowski. Beginning with the illustrated, unpublished 1947 story, A Kind, Understanding Face, continuing through his famous underground newspaper column, Notes of a Dirty Old Man, and concluding with his hardboiled contributions to 1980s glossy adult magazines, The Bells Tolls for No One encompasses the entire range of Bukowski’s talent as a short story writer, from straight-up genre stories to postmodern blurring of fact and fiction. Designed not only for Bukowski fans, but also for readers new to his work, the book contains an informative introduction by editor David Stephen Calonne that provides historical context for these seemingly scandalous and chaotic tales, revealing the hidden hand of the master at the top of his form. Also included are several of Bukowski’s own illustrations.

Born in Andernach, Germany, and raised in Los Angeles, Charles Bukowski published his first story when he was twenty-four and began writing poetry at the age of thirty-five. His first book of poetry was published in 1959; he would eventually publish more than forty-five books of poetry and prose. He died of leukemia in San Pedro, California on March 9, 1994.

David Stephen Calonne has edited three previous books of uncollected prose by Charles Bukowski for City Lights. He is the author of several books, including the critical study Charles Bukowski, and the editor of Charles Bukowski: Sunlight Here I Am/Interviews and Encounters 1963-1993.

Joseph Matthews

In this episode of LIVE! from City Lights, author Joseph Matthews reads from his new novel Everyone Has Their Reasons, published by PM Press.

At a time when the issues of identity, immigration, and class remain both universally  everyone_has_their_reasonsimportant and enormously controversial, Everyone Has Their Reasons is an accessible and captivating tale of one boy’s historically famous experience in the extraordinary setting of roiling pre-WWII Paris. On November 7, 1938, a small, slight 17-year-old Polish-German Jew named Herschel Grynszpan entered the German embassy in Paris and shot dead a consular official. Three days later, in supposed response, Jews across Germany were beaten, imprisoned, and killed, their homes, shops, and synagogues smashed and burned—Kristallnacht, the Night of Broken Glass. Based on the historical record and told through his “letters” from German prisons, this novel begins in 1936, when 15-year-old Herschel flees Germany, and continues through his show trial, in which the Nazis sought to demonstrate through his actions that Jews had provoked the war. But Herschel throws a last-minute wrench in the plans, bringing the Nazi propaganda machine to a grinding halt and provoking Hitler to postpone the trial and personally give an order regarding Herschel’s fate.

Born in Boston and raised there and in California, Joseph Matthews was for a number of years a criminal defense lawyer in San Francisco, engaging in the criminal/political cases of anti–Vietnam War activists and Mission District barrio residents, defending prisoners during the California prison rebellions of the 1970s, serving as a public defender, and teaching at the law school of the University of California, Berkeley. He spent considerable time in Greece in the 1970s and 1980s, where his novel Shades of Resistance (1996) is set during the period of the military junta there. His other previous books are the short story collection The Lawyer Who Blew Up His Desk (1998) and the political analysis Afflicted Powers: Capital and Spectacle in a New Age of War (2005, with Iain Boal, T.J. Clark, and Michael Watts).

Best Kept Secrets: The Fiction of Lucia Berlin

Join City Lights and the Book Club of California in an event that is described by editor Stephen Emerson as a “homecoming” for the late short-story writer Lucia Berlin, an evening celebrating Lucia’s life, work, and newly published collection A Manual for Cleaning Women. The event features readings by Gloria Frym, Barry Gifford, Alastair Johnston, August Kleinzahler, Jim Nisbet, and Michael Wolfe.

luciaA Manual for Cleaning Women compiles the best work of the legendary short-story writer Lucia Berlin. With her trademark blend of humor and melancholy, Berlin crafts miracles from the everyday–uncovering moments of grace in the cafeterias and Laundromats of the American Southwest, in the homes of the Northern California upper classes, and from the perspective of a cleaning woman alone in a hotel dining room in Mexico City.
The women of Berlin’s stories are lost, but they are also strong, clever, and extraordinarily real. They are hitchhikers, hard workers, bad Christians. With the wit of Lorrie Moore and the grit of Raymond Carver, they navigate a world of jockeys, doctors, and switchboard operators. They laugh, they mourn, they drink. Berlin, a highly influential writer despite having published little in her lifetime, conjures these women from California, Mexico, and beyond. Lovers of the short story will not want to miss this remarkable collection from a master of the form.

Lucia Berlin (1936-2004) was first published when she was twenty-four in The Atlantic Monthly and in Saul Bellow and Keith Botsford’s journal The Noble Savage. Berlin worked brilliantly but sporadically throughout the 1960s, ’70s, and ’80s. Her stories are culled from her early childhood in various Western mining towns; her glamorous teenage years in Santiago, Chile; three failed marriages; a lifelong problem with alcoholism; her years spent in Berkeley, New Mexico, and Mexico City; and the various jobs she later held to support her writing and her four sons, including as a high-school teacher, a switchboard operator, a physician’s assistant, and a cleaning woman.

Stephen Emerson is the editor of A Manual for Cleaning Women: Selected Stories of Lucia Berlin. He was her close friend and constant correspondent from soon after their first meeting in 1978. His own books include Neighbors (stories, Tombouctou) and The Wife (short novel, Longriver Books). His work has appeared in New Directions in Poetry and Prose, Hambone, and The Review of Contemporary Fiction. Emerson worked as an editor for many years and, later, toiled in what Elmore Leonard called “the advertising game.” He is now writing new stories steadily, but slowly.

Gloria Frym is the author of two short story collections—Distance No Object (City Lights) and How I Learned (Coffee House Press)—as well as many volumes of poetry, including Mind Over Matter and Any Time Now. Her book Homeless at Home received an American Book Award. She currently chairs and teaches in the MFA in Writing program at California College of the Arts. The True Patriot, a collection of her prose, is due out in Fall 2015.

Novelist, screenwriter, and poet Barry Gifford’s most recent books include The Up-Down, Sailor & Lula: The Complete Novels, Imagining Paradise: New & Selected Poems and The Roy Stories. His film credits include Wild at Heart, Perdita Durango, Lost Highway, and City of Ghosts. His novel Night People was awarded Italy’s Premio Brancati, and he has received awards from PEN, the National Endowment for the Arts, the American Library Association, the Writers Guild of America, and the Christopher Isherwood Foundation. Gifford’s work appears in such magazines as The New Yorker, Punch, Esquire, La Nouvelle Revue Française, Film Comment, and Rolling Stone.

Alastair Johnston co-founded Poltroon Press in Berkeley with the artist Frances Butler in 1975 to publish original works of poetry and fiction. He has written much of the literature on California printing history, as well as books on the history of typography. In 1983 Poltroon published Lucia Berlin’s Legacy, a story about a dipsomaniacal dentist and grandfather, later re-titled “Dr. H.A. Moynihan.” In 1988 they published Safe & Sound, her third collection of stories, illustrated by Butler. Berlin herself helped set the book on the Linotype machine and later delighted in referring to herself as a “tramp printer.”

August Kleinzahler’s most recent collections of poetry are Sleeping It Off in Rapid City (Selected Poems), which won the 2008 National Book Critics Circle Award, and Hotel Oneira, both from Farrar, Straus, and Giroux. He is the author of two books of prose, Cutty, One Rock: Low Characters and Strange Places, Gently Explained and Music: I-LXXIV. Kleinzahler also edited the Selected Poems of Thom Gunn (2009). He is a regular contributor to the London Review of Books (where he’s written extensively about Lucia Berlin). In 2008, Kleinzahler won the Lannan Literary Award for Poetry. He walks in beauty like the night .

Jim Nisbet, a long-time friend of Lucia Berlin and an avid fan of her stories, has published twenty books including Lethal Injection, widely regarded as a classic roman noir, and Laminating The Conic Frustum, his sole non-fiction title. Current projects include a fourteenth novel, You Don’t Pencil, and a complete translation of Charles Baudelaire’s Les Fleurs du Mal.

Michael Wolfe writes poetry and prose and produces documentary films. Twice a recipient of the Amy Lowell Traveling Poetry Scholarship, he was for many years the publisher of Tombouctou Books, a press based in Bolinas, California that published, among many other titles, Lucia Berlin’s second collection, Phantom Pain. His most recent book is a set of ancient Greek epitaphs in translation from Johns Hopkins University Press, Cut These Words into Stone. He lives with his wife in San Juan Bautista.

Praise for A Manual for Cleaning Women:

[Lucia Berlin] may just be the best writer you’ve never heard of . . . Imagine a less urban Grace Paley, with a similar talent for turning the net of resentments and affections among family members into stories that carry more weight than their casual, conversational tone might initially suggest . . . Berlin’s offbeat humor, get-on-with-it realism, and ability to layer details that echo across stories and decades give her book a tremendous staying power . . . [A Manual for Cleaning Women] goes a long way toward putting Berlin, who died in 2004, back in the public eye. – Publishers Weekly
Berlin’s literary model is Chekhov, but there are extra-literary models too, including the extended jazz solo, with its surges, convolutions, and asides. This is writing of a very high order. – August Kleinzahler on Where I Live Now, London Review of Books

This remarkable collection occasionally put me in mind of Annie Proulx’s Accordion Crimes, with its sweep of American origins and places. Berlin is our Scheherazade, continually surprising her readers with a startling variety of voices, vividly drawn characters, and settings alive with sight and sound. – Barbara Barnard on Where I Live Now, American Book Review
[The stories] are told in a conversational voice and they move with a swift and often lyrical economy. They capture and communicate moments of grace and cast a lovely, lazy light that lasts. Berlin is one of our finest writers and here she is at the height of her powers. – Molly Giles, San Francisco Chronicle on So Long

 

Josh Weil

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Josh Weil reads from his new novel The Great Glass Sea (Grove Press) and discusses the book with Tom Barbash

From celebrated storyteller Josh Weil comes an epic tragedy of brotherly love, a sui generis novel swathed in all the magic of Russian folklore and set against the dystopian backdrop of an all too real alternate present.

Twin brothers Yarik and Dima have been inseparable since childhood. Living on their uncle’s farm after the death of their father, the boys once spent their days helping farmers in collective fields, their nights spellbound by their uncle’s mythic tales. Years later, the two men labor side by side at the Oranzheria, a sea of glass—the largest greenhouse in the world—that sprawls over acres of cropland. Lit by space mirrors orbiting above, it ensnares the denizens of Petroplavilsk in perpetual daylight and constant productivity, leaving the twins with only work in common—stalwart Yarik married with children, oppressed by the burden of responsibility; dreamer Dima living alone with his mother and rooster, wistfully planning the brothers’ return to their uncle’s land.

But an encounter with the Oranzerhia’s billionaire owner changes their lives forever. Dima drifts into a laborless life of bare subsistence while Yarik begins a head-spinning ascent from promotion to promotion until both men become poster boys for opposing ideologies, pawns at the center of conspiracies and deceptions that threaten to destroy not only the lives of those they love but the very love that has bonded the brothers since birth. This is a breathtakingly ambitious novel of love, loss, and light, set amid a bold vision of an alternative present-day Russia.

Josh Weil was awarded the Sue Kaufman Prize from the American Academy of Arts and Letters for his debut collection, The New Valley. A National Book Award “Five Under Thirty-Five” author, he has received fellowships from the Fulbright Foundation, Columbia University, the MacDowell Colony, Bread Loaf, and Sewanee. His fiction has appeared in Granta, Esquire, One Story, and Agni.

Tom Barbash is the author of the novel The Last Good Chance and the bestselling nonfiction work On Top of the World: Cantor Fitzgerald, Howard Lutnick & 9/11: A Story of Loss & Renewal. His fiction has been published in Tin House, Story Magazine, The Indiana Review and others. His criticism has appeared in the New York Times and the San Francisco Chronicle.

Jack Kerouac School of Disembodied Poetics 40th Anniversary Party

Jack Kerouac SchoolWe were proud to celebrate the 40th Anniversary of the Jack Kerouac School of Disembodied Poetics at City Lights. It was fantastic night of readings from JKS faculty and guests who have taught in their summer writing program.

City Lights celebrates Jack Kerouac School of Disembodied Poetics 40th anniversary.

Hosted by Andrea Rexillus. With readings by Robert Gluck, Juliana Spahr, Cedar Sigo, Eric Baus, Michelle Naka Pierce, and Chris Pusateri.

Founded in 1974 by Allen Ginsberg and Anne Waldman, as part of Chögyam Trungpa Rinpoche’s 100-year experiment, the Jack Kerouac School continues to honor its historical roots while bringing forward new questions that both invigorate and challenge the current dialogue in writing today. This event will celebrate Naropa’s 40th year and will feature readings by JKS faculty and renowned guests who have taught in the Summer Writing Program.

http://www.naropa.edu/academics/jks/

Kevin Young

We were extremely proud to have poet Kevin Young come to City Lights and read from his new collection of poetry, Book of Hours.

Book of Hours from Alfred A. Knopf:

Possibly his most intimate book of poetry yet, Young’s inimitably rhythmic, musical lines will quite literally move its readers. A beautiful book of both grief and birth from the award-winning poet whose work thrills his audience with its immediate emotional impact.

A decade after the sudden and tragic loss of the poet’s father, we witness the unfolding of his grief. “In the night I brush / my teeth with a razor,” he tells us, in one of the collection’s piercing two-line poems. Young captures the strange silence of bereavement: “Not the storm/ but the calm/ that slays me.” But the poet acknowledges, even celebrates, life’s passages, his loss transformed and tempered in a sequence describing the birth of his son: in “Crowning,” he delivers what is surely one of the most powerful birth poems written by a man, describing “her face/ full of fire, then groaning your face/ out like a flower, blood-bloom,/ crocused into air.” Ending this book of birth and grief, the gorgeous title sequence brings acceptance, asking “What good//are wishes if they aren’t/ used up?” while understanding “How to listen/kevin-young2to what’s gone.”

Kevin Young is the author of seven books of poetry and editor of eight others, including Ardency: A Chronicle of the Amistad Rebels, winner of a 2012 American Book Award, and Jelly Roll: A Blues, a finalist for the National Book Award and Los Angeles Times Book Prize and winner of the Paterson Poetry Prize. His book The Grey Album: On the Blackness of Blackness won the Graywolf Nonfiction Prize, was a New York Times Notable Book for 2012, a finalist for the National Book Critics Circle Award for criticism, and winner of the PEN Open Award. His next volume of poems, Book of Hours, is forthcoming from Knopf in March 2014. He is currently Atticus Haygood Professor of Creative Writing and English and curator of Literary Collections and the Raymond Danowski Poetry Library at Emory University in Atlanta.

“Kevin Young is one of the most talented poets in the United States. With this new book, he should also become known as a major critic.” —San Francisco Chronicle, reviewing The Grey Album

Visit: kevinyoungpoetry.com

 

Nick Turse and Oscar Villalon Discussing the Vietnam War

On January 27th, 2014, Nick Turse and Oscar Villalon discussed Kill Anything That Moves: The Real American War in Vietnam (Picador Books) at City Lights Bookstore!

Americans have long been taught that events such as the notorious My Lai massacre were isolated incidents in the Vietnam War, carried out by “a few bad apples.” But as award-winning journalist and historian Nick Turse demonstrates in this groundbreaking investigation, violence against Vietnamese noncombatants was not at all exceptional during the conflict. Rather, it was pervasive and systematic, the predictable consequence of orders to “kill anything that moves.”

Drawing on more than a decade of research in secret Pentagon files and extensive interviews with American veterans and Vietnamese survivors, Turse reveals for the first time how official policies resulted in millions of innocent civilians killed and wounded. In shocking detail, he lays out the workings of a military machine that made crimes in almost every major American combat unit all but inevitable. Kill Anything That Moves takes us from archives filled with Washington’s long-suppressed war crime investigations to the rural Vietnamese hamlets that bore the brunt of the war; from boot camps where young American soldiers learned to hate all Vietnamese to bloodthirsty campaigns like Operation Speedy Express, in which a general obsessed with body counts led soldiers to commit what one participant called “a My Lai a month.”

Thousands of Vietnam books later, Kill Anything That Moves, devastating and definitive, finally brings us face-to-face with the truth of a war that haunts Americans to this day.

Nick Turse is an award-winning journalist, historian, essayist, the managing editor of TomDispatch.com, the co-founder of Dispatch Books, and a fellow at the Nation Institute. He is the author of numerous books including The Changing Face of Empire: Special Ops, Drones, Spies, Proxy Fighters, Secret Bases, and Cyber Warfare (Dispatch Books/Haymarket Books, 2012) and The Complex: How the Military Invades Our Everyday Lives (Metropolitan Books, 2008). He is also the editor of The Case for Withdrawal from Afghanistan (Verso, 2010). Turse has written for The Los Angeles Times, The San Francisco Chronicle, The Nation, Adbusters, GOOD magazine, Le Monde Diplomatique, In These Times, Mother Jones and The Village Voice, among other print and on-line publications.  His articles have also appeared in such newspapers as The Atlanta Journal-Constitution, The Baltimore Sun, The Chicago Tribune, The Contra-Costa Times, The Fort Worth Star Telegram, The Hartford Courant, The Indianapolis Star, The Knoxville News Sentinel, The Salt Lake Tribune, The Seattle Times, The Sydney Morning Herald, and The Tampa Tribune, among others. He was the recipient of a Ridenhour Prize at the National Press Club in April 2009 for his years-long investigation of mass civilian slaughter by U.S. troops in Vietnam’s Mekong Delta during Operation Speedy Express.  In his article for The Nation, “A My Lai a Month,” he also exposed a Pentagon-level cover-up of these crimes that was abetted by a major news magazine.  In 2009, he also received a James Aronson Award for Social Justice Journalism from Hunter College and a MOLLY National Journalism Prize honorable mention for the same article.

Oscar Villallon is the Managing Editor of Zyzzyva Journal and is the former editor of the San Francisco Chronicle Literary Section.

What has been said about Kill Anything That Moves

“A tour de force of reporting and research: the first time comprehensive portrait, written with dignity and skill, of what American forces actually were doing in Vietnam. The findings, hidden behind a screen of official lies and cover-ups all these years, are shocking almost beyond words.… Some thirty thousand books have been written about the Vietnam War. Many more will now be needed, and they must begin with Kill Anything That Moves.”
—Jonathan Schell, author of The Real War: The Classic Reporting on the Vietnam War

“This deeply disturbing book provides the fullest documentation yet of the brutality and ugliness that marked America’s war in Vietnam. No doubt some will charge Nick Turse with exaggeration or overstatement. Yet the evidence he has assembled is irrefutable. With the publication of Kill Anything That Moves, the claim that My Lai was a one-off event becomes utterly unsustainable.”
—Andrew J. Bacevich, author of Washington Rules: America’s Path To Permanent War

“This book is an overdue and powerfully detailed account of widespread war crimes—homicide and torture and mutilation and rape—committed by American soldiers over the course of our military engagement in Vietnam. Nick Turse’s research and reportage is based in part on the U.S. military’s own records, reports, and transcripts, many of them long hidden from public scrutiny. Kill Anything That Moves is not only a compendium of pervasive and illegal and sickening savagery toward Vietnamese civilians, but it is also a record of repetitive deceit and cover-ups on the part of high ranking officers and officials. In the end, I hope, Turse’s book will become a hard-to-avoid, hard-to-dismiss corrective to the very common belief that war crimes and tolerance for war crimes were mere anomalies during our country’s military involvement in Vietnam.”
—Tim O’Brien, author of The Things They Carried

“American patriots will appreciate Nick Turse’s meticulously documented book, which for the first time reveals the real war in Vietnam and explains why it has taken so long to learn the whole truth.”
—James Bradley, coauthor of Flags of Our Fathers

“Nick Turse reminds us again, in this painful and important book, why war should always be a last resort, and especially wars that have little to do with American national security. We failed, as Turse makes clear, to deal after the Vietnam War with the murders that took place, and today—four decades later—the lessons have yet to be learned. We still prefer kicking down doors to talking.”
—Seymour Hersh, staff writer, The New Yorker

“No book I have read in decades has so shaken me, as an American. Turse lays open the ground-level reality of a war that was far more atrocious than Americans at home have ever been allowed to know. He exposes official policies that encouraged ordinary American soldiers and airmen to inflict almost unimaginable horror and suffering on ordinary Vietnamese, followed by official cover-ups as tenacious as Turse’s own decade of investigative effort against them. Kill Anything That Moves is obligatory reading for Americans, because its implications for the likely scale of atrocities and civilian casualties inflicted and covered up in our latest wars are inescapable and staggering.”
—Daniel Ellsberg, author of Secrets: A Memoir of Vietnam and the Pentagon Papers

“Meticulously researched, Kill Anything That Moves is the most comprehensive account to date of the war crimes committed by U.S. forces in Vietnam and the efforts made at the highest levels of the military to cover them up. It’s an important piece of history.”
—Frances FitzGerald, author of Fire in the Lake: The Vietnamese and the Americans in Vietnam

“Nick Turse has done more than anyone to demonstrate—and document—what should finally be incontrovertible: American atrocities in Vietnam were not infrequent and inadvertent, but the commonplace and inevitable result of official U.S. military policy. And he does it with a narrative that is gripping and deeply humane.”
—Christian Appy, author of Patriots: The Vietnam War Remembered From All Sides

“In this deeply researched and provocative book Nick Turse returns us to Vietnam to raise anew the classic dilemmas of warfare and civil society. My Lai was not the full story of atrocities in Vietnam, and honestly facing the moral questions inherent in a ‘way of war’ is absolutely necessary to an effective military strategy. Turse documents a shortfall in accountability during the Vietnam War that should be disturbing to every reader.”
—John Prados, author of Vietnam: The History of an Unwinnable War, 1945–1975

“Nick Turse’s Kill Anything That Moves is essential reading, a powerful and moving account of the dark heart of the Vietnam War: the systematic killing of civilians, not as aberration but as standard operating procedure. Until this history is acknowledged it will be repeated, one way or another, in the wars the U.S. continues to fight.”
—Marilyn Young, author of The Vietnam Wars, 1945–1990

Christina Hanhardt discussing her new book, Safe Space: Gay Neighborhood History and the Politics of Violence

Since the 1970s, a key goal of lesbian and gay activists has been protection against street violence, especially in gay neighborhoods. During the same time, policymakers and private developers declared the containment of urban violence to be a top priority. In this important book, Christina B. Hanhardt examines how LGBT calls for “safe space” have been shaped by broader public safety initiatives that have sought solutions in policing and privatization and have had devastating effects along race and class lines.

Drawing on extensive archival and ethnographic research in New York City and San Francisco, Hanhardt traces the entwined histories of LGBT activism, urban development, and U.S. policy in relation to poverty and crime over the past fifty years. She highlights the formation of a mainstream LGBT movement, as well as the very different trajectories followed by radical LGBT and queer grassroots organizations. Placing LGBT activism in the context of shifting liberal and neoliberal policies, Safe Space is a groundbreaking exploration of the contradictory legacies of the LGBT struggle for safety in the city.


Safe Space: Gay Neighborhood History and the Politics of Violence was published by Duke University Press

Christina B. Hanhardt is Associate Professor of American Studies at the University of Maryland, College Park.

The End of Love, by Marcos Giralt Torrente read by Katherine Silver and Scott Esposito

 

Katherine Silver and Scott Esposito

read and discuss the work of Marcos Giralt Torrente

on the occasion of the release of

The End Of Love

by Marcos Giralt Torrente

translated by Katherine Silver

published by McSweeney’s Books

In this quartet of mesmerizing stories, Marcos Giralt Torrente explores the confounding, double-edged promise of love. Each finds a man carefully churning over his past, trying to fathom how the distance between people can become suddenly unbridgeable.

Two tourists visit a remote island off the coast of Africa and are undone by a disconcerting encounter with another couple. A young man, enchanted by his bohemian cousin and her husband, watches them fall into a state of resentful dependence over the course of decades. A chaste but all-consuming love affair between a troubled boy and a wealthy but equally troubled girl leaves a scar that never heals. The son of divorced parents tries in vain to reunite them before realizing why he is wrong to do so. In The End of Love, Giralt Torrente forges discomfiting and gripping dramas from the small but consequential misunderstandings that shape our lives.

Marcos Giralt Torrente was born in Madrid in 1968 and is the author of three novels, a novella, and a book of short stories. He was writer-in-residence at the Spanish Academy in Rome, the Künstlerhaus Schloss Wiepersdorf, and the University of Aberdeen, and was part of the Berlin Artists-in-Residence Programme in 2002-2003. He is the recipient of several distinguished awards, most importantly the Spanish National Book Award in 2011. His works have been translated into French, German, Greek, Italian, Korean and Portuguese. The End of Love is his first book to appear in English.

Katherine Silver’s most recent translations of contemporary literature in Spanish include works by Daniel Sada, César Aira, and Horacio Castellanos Moya. She is also the codirector of the Banff International Literary Translation Centre.

Scott Esposito’s criticism has appeared in Bookforum, the Los Angeles Times, the Review of Contemporary Fiction, the Los Angeles Review of Books, The National, The Point, Tin House, The Paris Review Daily, and numerous others. He has also written introductions to novels for the Dalkey Archive Press and Melville House Publishing. He is the editor of online publications for San Francisco’s Center for the Art of Translation and has been a consultant on translated literature for presses including Houghton Mifflin Harcourt, McSweeney’s, Graywolf, and Open Letter. He is also the editor in chief for The Quarterly Conversation, an online periodical of book reviews and essays. He is the co-author with Lauren Elkin of The End Of Oulipo? from Zero Books.

John Freeman in discussion with Robin Sloan

celebrating the release of

How to Read a Novelist

by John Freeman

from Farrar, Strauss, Giroux

If you love novels, then this book is for you. For the last fifteen years, whenever a novel was published, John Freeman was there to greet it. As a critic for more than two hundred newspapers worldwide, the onetime president of the National Book Critics Circle, and the current editor of Granta, he has reviewed thousands of books and interviewed scores of writers. In How to Read a Novelist, which pulls together his very best profiles (many of them new or completely rewritten for this volume) of the very best novelists of our time, he shares with us what he’s learned. From such international stars as Doris Lessing, Haruki Murakami, Salman Rushdie, and Mo Yan, to established American lions such as Don DeLillo, Norman Mailer, Toni Morrison, Marilynne Robinson, Philip Roth, John Updike, and David Foster Wallace, to the new guard of Edwidge Danticat, Dave Eggers, Jonathan Franzen, and more, Freeman has talked to everyone. What emerges is an instructive and illuminating, definitive yet still idiosyncratic guide to a diverse and lively literary culture: a vision of the novel as a varied yet vital contemporary form, a portrait of the novelist as a unique and profound figure in our fragmenting global culture, and a book that will be essential reading for every aspiring writer and engaged reader—a perfect companion (or gift!) for anyone who’s ever curled up with a novel and wanted to know a bit more about the person who made it possible.

 

John Freeman is an award-winning writer and book critic who has written for numerous publications, including The New Yorker, The New York Times Book Review, the Los Angeles Times, The Guardian, and The Wall Street Journal. Freeman won the 2007 James Patterson Pageturner Award for his work as the president of the National Book Critics Circle. He is the former editor-in-chief of Granta and lives in New York City.

Robin Sloan is a writer and a media inventor who lives in San Francisco. He has worked at Twitter and has acted as a consultant to numerous technology firms. He is the author of Mr. Penumbra’s 24-Hour Bookstore published by FSG.

Ali Liebegott’s Book Party at City Lights!

celebrating the release of Cha-Ching! and The Beautifully Worthless the latest in the City Lights/Sister Spit series, Ali Liebegott had a pizza and reading party at City Lights!

Cha-Ching! is the story of Theo, our scruffy, big-hearted and quick-witted heroine, who is not so much down on her luck as delivered luckless into a culture where the winners and losers have already been decided. Her adventures in getting over take her from SF to NYC, from dyke bars to telemarketing outfits, casinos to free clinics. With the signature poet’s voice that has won her awards and acclaim, Liebegott investigates the conjoined hearts of hope and addiction in an unforgettable story of what it means to be young and broke in America.

Andrew Codrescu, author of So Recently Rent a World: New and Selected Poems, compared Liebegott’s writing to Dostoyevsky and her main character to On the Road’s Dean Moriarty when he said, “In the game of American-life-on-the-go hopscotch, Ali Liebegott’s heroine Theo just jumped a square ahead of Dean Moriarty. . . . The author’s fine writing about gambling is as good as I ever read, including Dostoevski’s and the Barthelme Bros. In the end, love, in whatever twisted, pallid form, a love that has little to do with sexuality, is the only answer. . . .Wonderful book.”

In Ali Liebegott’s award-winning road story, The Beautifully Worthless, a runaway waitress leaves her lover, grabs her dog and hits the highway. Liebegott maps her travels in a series of hilarious and heartbreaking letters to the girl she left behind, and some of the most exquisite poetry written about love, heartache and madness.

The winner of the 2005 Lambda Literary Award for Debut Lesbian Fiction, The Beautifully Worthless is back in print and now available from City Lights/Sister Spit!