Tripwire: A Journal of Poetics

City Lights welcomes a live reading with writers from Tripwire, a journal of poetics with special guest CAConrad, joined by Kevin Killian, Juliana Spahr, Marianne Morris, & Lara Durback, along with painter Yuh-Shioh Wong, hosted by David Buuck.

Tripwire, a journal of poetics, is devoted to a counter-institutional exploration of radical and experimental modes of contemporary poetics, art, and cultural politics. The journal was founded in 1998 by Yedda Morrison and current editor Dahttp://www.citylights.com/html/WYSIWYGfiles/images/CAConrad.jpegvid Buuck. Six issues were published between 1998-2002, with a special supplement published in September 2004 for the RNC protests in New York.

CAConrad is the author of seven books including ECODEVIANCE: (Soma)tics for the Future Wilderness (Wave, 2014), A Beautiful Marsupial Afternoon (Wave, 2012), The Book of Frank (Chax Press, 2009/Wave, 2010). A 2014 Lannan Fellow, a 2013 MacDowell Fellow,  a 2011 Pew Fellow, and a Headlands Art Fellow, he also conducts workshops on (Soma)tic poetry and Ecopoetics. Visit him online at: http://caconradbooks.blogspot.com/.

http://www.citylights.com/html/WYSIWYGfiles/images/Buuk.jpegDavid Buuck lives in Oakland, CA. He is the founder of BARGE, the Bay Area Research Group in Enviro-aesthetics, and co-founder and editor of Tripwire, a journal of poetics. He has collaborated and performed with dancer/choreographer Abby Crain since 2010. An Army of Lovers, co-written with Juliana Spahr, was published in 2013 City Lights, and SITE CITE CITY was published by Futurepoem in fall 2014. Visit his PennSound page for audio, and go to the Buuck/BARGE blog for recent work and upcoming events.

Juliana Spahr and David Buuck read from An Army of Lovers

An Army of Lovers begins with the story of two poets, Demented Panda and Koki, united in their desire to write politically engaged poetry at a time when poetry seems to have lost its ability to effect social change. Their first project is more than a failure, resulting in a spell that unleashes a torrent of raw sewage and surrealistic embodiments of consumerist excess and black site torture techniques. Subsequent chapters feature an experimental composer (Koki?) and a performance artist (Panda?) whose bodies are literally invaded with the ills of capitalism, manifested through leaking blisters and other maladies, as well as a radical remix of a Raymond Carver story, questioning “What We Talk About When We Talk About Poetry.” The novel concludes with Panda and Koki returning to the site of their failed collaboration to conjure up a more utopian vision of “an army of lovers.” Fantastical, lyrical, whimsical and wildly experimental, An Army of Lovers is as serious as it is absurd.