Wave Books Party

Hosted by Wave Books Editor at Large Matthew Zapruder, with authors Garrett Caples, Anthony McCann, Hoa Nguyen, Cedar Sigo, & Rachel Zucker reading from their recent books published by Seattle-based poetry publishing house Wave Books.slideshow_3

Wave Books is an independent poetry press based in Seattle, Washington, dedicated to publishing exceptional contemporary poetry, poetry in translation, and writing by poets. The press was founded in 2005, merging with established publisher Verse Press. By publishing strong, innovative work in finely crafted trade editions and hand-made ephemera, we hope to continue to challenge the values and practices of readers and add to the collective sense of what’s possible in contemporary poetry.

A Conversation Between John Coletti and Garrett Caples

John Coletti talks to Garrett Caples about his book, Deep Code.17053

Garrett Caples is the editor of the City Lights Spotlight Series, of which Deep Code is the 12th edition.

In this interview, John Coletti reads the poem “Gasoline: Toys” from the collection and talks about the story behind its composition. The two discuss the difference between the form in this new collection and his last book, Mum Halo, and much more.

Interview with Alli Warren

Editor of the City Lights/Spotlight Poetry series Garrett Caples interviewed poet Alli Warren before she embarked on her October East Coast tour. Back in the Bay Area, Alli Warren reads Thursday, Dec. 5th at the Poetry Center in San Francisco.

They discussed Here Come the Warm Jets, Warren’s first full-length book, what it’s like to have a debut book out with City Lights, and why Warren chose the Brian Eno reference for her title.

“Warren’s first book of poems is highly self-reflective, interestingly interrogative, and a lot of fun.”—Booklist

“Without a doubt, she is one of the best young writers in the Bay Area.”—SF Weekly

 

Charged with swagger and sensuality, tenderness and cold fact, the 10th Spotlight series installment, Here Come the Warm Jets, is the brash debut volume by Bay Area poet Alli Warren. Taking its title from the Brian Eno classic, Jets jumbles gender, class, and space-time perspectives into a chorus of contemporary idioms and lyrical longings. Against the daunting backdrop of contemporary political-economy, Warren launches her missives of desire, in writing that is at once raw and sly. From the Bishop of Worms to Flipper to E-40, nobody’s safe from the easy virtuosity with which she makes language sing.

An Interview with Catherine Wagner

Catherine Wagner performing at City Lights.

Editor of the City Lights/Spotlight Poetry series Garrett Caples interviewed poet Catherine Wagner before her reading at City Lights at the end of October. She finishes her tour in New York on Dec. 12th at the Poetry Project.

They discussed performance and poetry, connecting with an audience, and the theory of William Blake’s “the bounding line,” which Wagner cites as the inspiration for her newest poetry collection Nervous Device.

“Wagner’s fourth collection contains poems of memory and dark artifice. She writes with an obscure, magnetic lens… the linguistic tightness of these poems are highlights of Wagner’s collection.”—Publisher’s Weekly

Nervous Device is such a smart book. You never know where the poems are going to take you, or when some startling, often cringe-making image or thought will intrude. Unable to settle into a comfortable rhetorical space, these poems reject simple claims to knowing something or doing right or changing the world. Rather, they move like an erratic insect stuck in a language bell jar. Brilliant, and disturbing.”—Jennifer Moxley

“Nervous device, the human machine, palpitating inside its own little bounding lines. These poems do everything the human device does, vibrating like an electrified tornado inside a glass jar, and make this reader profoundly alive to huge swathes of being. There is no machine for mastering the self (yet), but there are Cathy Wagner’s poems.”—Eleni Sikelianos

“The poems in Nervous Device resonate with a knowing nod to time and the difficulty and struggle of being sentient and intimate—of loving while being human. This is poetry connectivity: sexy, poignant, knowing. And the poems here make me feel possible.”—Hoa Nguyen

In Nervous Device, Catherine Wagner takes inspiration from William Blake’s “bounding line” to explore the poem as a body at the intersection between poet and audience. Using this figure as a model for various sexual, political, and economic interactions, Wagner’s poems shift between seductive lyricism and brash fragmentation as they negotiate the failure of human connection in the twilight of American empire. Intellectually informed, yet stubbornly insistent on their own objecthood, and taking a bewildering variety of forms, the poems of Nervous Device express a self-conscious skepticism about the potential for human connection even as they maintain an optimistically charged eroticism.