Brynn Saito, Maxine Hong Kingston, and Percival Everett

Percival Everett, Maxine Hong Kingston, and Brynn Saito celebrating the release of Saito’s new collection of poetry, Power Made Us Swoon (published by Red Hen Press), at City Lights.

A lyrical journey through family legacies, silenced histories, and the possibilities of transformation, guided by the ruthless, witty, and vulnerable voice of a mythic woman warrior.

Guided by the character of the Woman Warrior–witty, swift, and ruthless in her wonder–readers of Brynn Saito’s second collection of poetry travel the terrain of personal and historical memory: narrative poems about family, farming towns, and the bravery of girlhood are interspersed with lyric poetry written from the voice of a stone found in a Japanese American internment camp during the wartime incarceration. What histories can be summoned with poetry? What are the forces shaping an American life in the 21st century? Car accidents, patriarchy, and television fall under this poet?s gaze, along with the intergenerational reverberations of historical trauma. As with The Palace of Contemplating Departure, Saito’s first award-winning collection, Power Made Us Swoon strives for wonder and speaks–in edgy and vulnerable tones–of the fraught journey toward a more just world. “Learn to lie to survive,” sings the woman warrior, “Learn to outlast the flame / learn the art of surprise.”

Brynn Saito is the author of the poetry collection The Palace of Contemplating Desire, winner of the Benjamin Saltman Award and forthcoming from Red Hen Press in March, 2013. Her poetry has been anthologized by Helen Vendler and Ishmael Reed; it has also appeared in Ninth Letter, Hayden’s Ferry Review, Pleiades, and Drunken Boat. Brynn was born in the Central Valley of California to a Korean-American mother and a Japanese-American father. She received an MFA in creative writing from Sarah Lawrence College and an MA in religious studies from NYU. Currently, Brynn lives in the Bay Area and teaches in San Francisco.

Percival Everett is the author of fourteen novels and three collections of short fiction including re:f(gesture), published by Red Hen Press. He is the recipient of the Academy Award from the American Academy of Arts and Letters, the Hurston/Wright Legacy Award, the PEN/Oakland-Josephine Miles Award for Excellence in Literature (for his 1996 story collection Big Picture) and a New American Writing Award (for his 1990 novel Zulus). He has served as a judge for, among others, the 1997 National Book Award for fiction and the PEN/ Faulkner Award for Fiction in 1991. He currently teaches fiction writing, American studies, and critical theory  at the University of Southern California. He has worked as a musician, a ranch hand, and a high school teacher.

Maxine Hong Kingston is the aclaimed author of three novels and several works of non-fiction about the experiences of Chinese immigrants living in the United States. She is the winner of the National Medal of the Arts and was awarded the Northern California Book Award Special Award in Publishing for her anthology Veterans of War, Veterans of Peace.

Red Hen Press Presents: Kate Gale, Douglas Kearney, and Peggy Shumaker

kate galered hen photoReading from her new poetry book, Kate Gale celebrates the release of The Goldilocks Zone (University of New Mexico Press) and Douglas Kearney reads from his new poetry collection Patter (Red Hen Press) and Peggy Shumaker reads from her book of poetry, Toucan Nest (Red Hen Press). Kate Gale is the managing editor for Red Hen Press, celebrating 20 years of nonprofit literary publishing.

Praise for Kate Gale:

“The clipped jumpy rhythm of these poems with their sudden bursts of syntax prove repeatedly that Kate Gale possesses a poetic tone and pace all her own. She is also refreshingly out of step with today’s poetry of self-absorption, for she is fascinated less by her ego than by the strange variety of the world around us.”—Billy Collins, former U.S. Poet Laureate

about Douglas Kearny’s Patter:

For a couple struggling with infertility, conception is a war against their bodies. Blood and death attend. But when the war is won, and life stares, hungry, in the parents’ faces, where does that violence, anxiety, and shame go? The poems in Patter re-imagine miscarriages as minstrel shows, magic tricks, and comic strips; set Darth Vader against Oedipus’s dad in competition for “Father of the Year;” and interrogate the poet’s family’s stint on reality TV. In this, his third collection, award-winning poet Douglas Kearney doggedly worries the line between love and hate, showing how it bleeds itself into “fatherhood.”

about Toucan Nest:

“This is a book of burnished, lapidary attention. Its poems—vibrant with seeing, quickened with sound-work, subtled by insight—peel open landscapes both outer and inner. The costs of our human presence and extractions are in these pages, but also the radiant return of human awareness. Toucan Nest is a unique account of encounter, imaginative inquiry, and expansion.”—Jane Hirshfield”

Dr. Kate Gale is Managing Editor of Red Hen Press, Editor of the Los Angeles Review and President of the American Composers Forum, LA.  She serves on the boards of A Room of Her Own Foundation and Poetry Society of America.  She is author of five books of poetry and six librettos including Rio de Sangre, with composer Don Davis. The Goldilocks Zone is available from the University of New Mexico Press, February 2014.

Poet/performer/librettist Douglas Kearney’s first full-length collection of poems, Fear, Some, was published in 2006 by Red Hen Press. His second, The Black Automaton (Fence Books, 2009), was Catherine Wagner’s selection for the National Poetry Series. It was also a finalist for the PEN Center USA Award in 2010. His third collection is Patter (Red Hen Press, 2014). He has received a Whiting Writers’ Award, a Coat Hanger award, and fellowships at Idyllwild and Cave Canem. Raised in Altadena, CA, he lives with his family in California’s Santa Clarita Valley. He teaches at CalArts.

Peggy Shumaker is Alaska State Writer Laureate. Her previous book of poems is Gnawed Bones. Her lyrical memoir is Just Breathe Normally. Toucan Nest, her most recent collection, grew from an eco-arts writing workshop in Costa Rica. Professor emerita from University of Alaska, Fairbanks, Shumaker teaches in the Rainier Writing Workshop. She is founding editor of Boreal Books, publishers of fine art and literature from Alaska. She edits the Alaska Literary Series at University of Alaska Press.