Julien Poirier

Julien Poirier came to City Lights to celebrate the release of his latest poetry collection, Out of Print, No. 14 in City Lights Books’ Spotlight Poetry Series. He was joined by Elaine Kahn, author of Women in Public (No. 13 in the same series).

The third full-length collection by Julien Poirier, Out of Print is a truly bicoastal volume, reflecting the poet’s years in New York as well as his return to his Bay Area roots. Consider it a meetinghouse between late New York School and contemporary California surrealism, a series of quips intercepted from America’s underground poetry telegraph, or an absurdist mirror held up to consumerist culture.

 

 

 

 

 

 

Julien Poirier is the author of several poetry collections, including El Golpe Chileño (Ugly Duckling, 2010), Stained Glass Windows of California (Ugly Duckling, 2012), and Way Too West (Bootstrap, 2015) and Out of Print (City Lights). In 2005, he published an experimental newspaper novel, Living! Go and Dream (Ugly Duckling). He is also the editor of an anthology of writing by Jack Micheline, One of a Kind (Ugly Duckling, 2008), and a book of travel journals by Bill Berkson, Invisible Oligarchs (Ugly Duckling, 2015). A founding member of Ugly Duckling Presse Collective, Poirier edited the newspaper New York Nights from 2001 to 2006. He has taught poetry in New York City public schools and at San Quentin State Prison. He lives in Berkeley with his wife and two daughters.

Interview with Julien Poirier

Poet Julien Poirier sits down with City Lights poetry editor Garrett Caples to discuss his beginnings as a poet, as well as read several selections from his latest poetry collection, Out of Print (published in City Lights Books’ Spotlight Poetry Series).

Interview with Eric Baus

Eric Baus stopped by City Lights to talk about his new poetry book, The Tranquilized Tongue

We celebrated the release of The Tranquilized Tongue, the latest in the City Lights Spotlight Poetry series! The Tranquilized Tongue is the 11th installment in the City Lights Spotlight Series, which brings attention to established and up-and-coming innovative American poets.TranquilizedTongue

In the tradition of French poets like Francis Ponge, Pierre Reverdy, and René Char, The Tranquilized Tongue offers a series of prose meditations in the form of surrealist declaratives, each sentence unfolding like an alchemical riddle in which sounds, images, and figures appear, dissolve, and re-emerge to offer a glimpse of a complex unconscious roiling below the surface of everyday reality. Sometimes a paragraph, sometimes a sentence, occasionally just a fragment, each poem in The Tranquilized Tongue is a portal to new perspective on the everyday materials of reality as constituted through language itself. The postmodern classicism of language poetry meets the modernist romanticism of surrealism to startling effect in Baus’s cabinet of curiosities. The eleventh volume of the City Lights Spotlight Poetry Series, The Tranquilized Tongue places Baus alongside such contemporary purveyors of the marvelous and speculative as Andrew Joron and Will Alexander.

Five Questions with Eric Baus

Praise for The Tranquilized Tongue:

“The poems comprising The Tranquilized Tongue propose a unique blend of Persian miniature and habanero pepper. The book is aburst with unremitting predication, each poem a merciless thought machine.”—Nathaniel Mackey

“For over a decade now, Eric Baus has been one of the leading practitioners of a new kind of poem, one that draws as equally on the legacy of surrealism, the nouveau roman, and even the language poets, as it does on the Deep Listening practice of Pauline Oliveros, Alvin Lucier’s forays into resonant sound, the films of Charles and Ray Eames, and the voiceover of Sir David Attenborough narrating our insect and animal worlds. The Tranquilized Tongue speaks to us in a music capable of condensing geologic time into that of a microtonal interval: weird, warped, a little wobbly on its newly-hatched legs, this is a book where the word The will follow you like a gosling.”—Noah Eli Gordon

“Special objects in our multiple world–from eggs to kings, from bees to caskets, from wings to statues–spawn themselves with other teeming objects in a fertile generation of aphoristic actions calmed by the clarity of prose poems framed as linked short stories. The scintillating tensions between febrile nouns, adjectival properties, and active claims all in their phonemic bliss create an elegant surrealism charged with the primary mystery of Baus’s lexicon.”—Rachel Blau DuPlessis, author of Drafts

Catherine Wagner celebrates Nervous Device

Catherine Wagner comes to City Lights Bookstore on Tuesday, October 30, 2012, to celebrate the latest release in the Spotlight Poetry Series, Nervous Device (City Lights Books).In Nervous Device, Catherine Wagner takes inspiration from William Blake’s “bounding line” to explore the poem as a body at the intersection between poet and audience. Using this figure as a model for various sexual, political, and economic interactions, Wagner’s poems shift between seductive lyricism and brash fragmentation as they negotiate the failure of human connection in the twilight of American empire. Intellectually informed, yet stubbornly insistent on their own objecthood, and taking a bewildering variety of forms, the poems of Nervous Device express a self-conscious skepticism about the potential for human connection even as they maintain an optimistically charged eroticism.The author of three previous full-length collections, Catherine Wagner was born in Burma during the Vietnam War to American military parents, afterwards living in the Philippines, Indonesia, Yemen, and India before moving to the U.S. She received her MFA from the Iowa Writers’ Workshop (where she studied with Jorie Graham and Donald Revell) and a PhD from the University of Utah. She has written criticism on Barbara Guest, Leslie Scalapino and Harryette Mullen, among others, and has published chapbooks with the Dusie collective and other small presses. Her poems appear in the Norton Anthology of Postmodern American Poetry and Out of Ev­erywhere: Linguistically Innovative Poetry by Women in North America and the UK, among other anthologies. She’s currently an Associate Professor of English at Miami University in Ohio.
Future Spotlight Series poet Alli Warren also read.